I’ve just remembered that I haven’t yet posted photos of my Offbeat mitts.
I am really happy with these. The pattern was designed by Anna Elliott. I have wanted to make them since I first saw them on Kate Davies blog here (they were designed to be knit with Kate’s yarn, Buachaille). There is a matching hat design, but it is the mitts which really captured my attention. Aren’t they pretty?
They were not the easiest mitts for me to knit; the problem arising not from the very well-written pattern but rather from my lack of skills in stranded knitting on DPNs, which I discussed in this previous post.
I noted in that post that blocking produced miraculous results. As proof, I present the below photo, showing a blocked mitt on the left, and the rather pathetic-looking unblocked mitt on the right.
The moral of this photo is to persevere; knitting is a very forgiving sport!
(If you are interested in the sweater I am wearing here and in the top photo, it is the Leyfi sweater designed by Romi Hill and blogged here.)
I knit the Offbeat mitts in Buachaille – which is a lovely yarn that becomes even more lovely with each time you wear it. The mitts are surprisingly soft, warm, and cosy. I took them out for a walk a few weeks ago:
I like this photo because it shows me wearing three mis-matched hand-knits, which manage nonetheless to look great together: the Offbeat mitts, my Peerie Flooers hat, and my gold Cabled-rib shawl.
For the knitting purists out there, here is the obligatory shot of the reverse side.
I highly recommend this pattern. And if you have a chance, you should knit them in Buachaille. It makes for lovely mitts. (This is my third pair of mitts in this yarn.) It is hard to describe how lofty and sheep-y the yarn is, and how nice it feels on the needles. And look at how the colours glow in the sunshine:
I have come down with a flu bug. My prescription? Watch the Olympics and knit. Sleep. Repeat.
This post is about a little bit of stranded knitting; not about being stranded a little bit. I have done some travelling the last few weeks, first to South Africa for a whirlwind trip (where it was hot and sunny) and then to Copenhagen to visit a friend (in the cold and grey). I haven’t been willing to drag around a big knitting project, so decided to cast on something small.
For a long time, I have been admiring the pattern, Offbeat, by Anna Elliott. The pattern is for a hat and mitts, but it is the mitts which drew my attention. To make them, I would need a skein each of two colours of sportweight yarn.
I have six skeins of Kate Davies’ sportweight yarn, Buachaille, lying around the house taunting me. In my mind, they were relegated to three sets of two skeins, for three different projects. The green and white (yaffle and ptarmigan) were purchased some time ago to make Kate’s Funyin hat. The two grey shades (squall and haar) have been waiting for a good pattern or idea (presumably a pair of mitts), and the teal and rust (islay and highland coo) are left-overs from the Seven Skeins club, and I figured were destined to be used together, perhaps in a hat such as Phos.
Just before hopping on the plane to Johannesburg, I dragged them all out and Doug and I spent a few minutes trying out all of the different colour options and determined that we liked the Islay and Haar combo the best for this pattern.
Many people find that they tend to pull the yarn too tightly across the back when knitting stranded; this causes the fabric to pucker. I have never felt the need to do this as I tend not to pull the floats too tightly. However, I realised that while this is so when I am knitting a garment on a circular needle, it didn’t carry over to my knitting with DPNs. As you can see from the below photo, my knitting didn’t pucker generally when switching colours, but it did pucker at the point where the two needles crossed.
I often see the advice to avoid this problem by knitting the item inside out (the right side of the fabric will be on the inside of the tube formed by knitting in the round, thus the yarn being carried will need to stretch further around). I ended up ripping out the patterned bit above and starting over, knitting the stranded pattern section inside out. Let me say that this was not an intuitively simple process. In fact, I spent three hours in an airport lounge painfully knitting a mere 27 rounds in this way. I am sure that I looked like a rote beginner, with extremely awkward hand positioning and yarn tensioning. Perhaps I should have avoided the wine bar.
These mitts look a bit strange while you are knitting. The stranded bit comes before the gusset is built, and the hand is knit in ribbing. This gives it a kind of odd shape, in which the wrists are wide and the hands are narrow:
I had hope that a good blocking would fix everything (as is so often the case). This mitt looked so uneven and wonky and sad. I wanted to block it on a tube but had trouble finding something of the appropriate width. I finally found a plastic bottle of mouthwash with an 8″ diameter, and I soaked the finished mitt and then stretched it over the bottle. This worked well since the top of the bottle is narrower, so I could avoid stretching out the ribbing. I balanced the whole thing on a little pot of face cream with the right dimensions, and put it on the windowsill to dry.
Blocking produced a small miracle:
The fabric of the Buachaille is so lovely and soft and sheep-y, I cannot stop cuddling it. All that is left is to knit the other one!