First hint of lace

This has been a good week for knitting.  I am excited about my Soumak Scarf Wrap, and that excitement translates into time actually spent knitting (rather than my other spare time pursuits of either reading or, my favorite, thinking about how I should be doing housework while actually not doing housework).  In addition, I am determined to power through with my Viajante poncho/shawl, so I have been putting hours into that as well.

This morning, I finally decided to start the lace section of Viajante.  Here it is, dear readers, the first hint of lace:

IMG_7888For those of you who are noticing my newly short hair instead of the lace (I got a good 5 inches chopped off yesterday), I give you a close-up.  One row of lace:

IMG_7889These photos really show the sheer quality of this fabric.  Knitting with the lace weight yarn (Wollmeise Lace-Garn) on a larger size needle (this is knit with a US4, while laceweight would normally be knit with a US1 or 2) produces this very light, sheer, translucent, delicate fabric.  It’s one of the things that really attracted me to Viajante when Martina Behm first published the pattern.

I have found, however, that knitting with a very fine yarn on a larger needle seems to affect the quality of my stitches.  I am normally a very tight, even knitter.  Here is a close-up (thus slightly out of focus) of a section of my Libby pullover, knit with worsted weight wool:

IMG_7877You can see that, with slight variations here and there, the stitches are very even.  Here is a comparable shot of the Viajante:

IMG_7879You can see that certain stitches appear to be crossed, as if the stitches were twisted on the needle, or knit through the back loop.  (Doug says that I need to circle some of the twisted stitches so that you can see them; I claim that anyone who has bothered to read this far through the post can probably figure out what I am talking about.)  I don’t know why the fabric looks like this.  At first, I kept thinking that I was dropping stitches, but finally decided that this is somehow due to the fact that I am knitting at a larger gauge than would normally be appropriate for this yarn.  Still I have no idea why these stitches are not neat and even.  As far as I can tell, my knitting style is exactly the same on this project as on any other.  Has anyone else encountered a similar problem?  I am not fretting about this however, for the following reason:  I am fairly sure that this will all even out with a good blocking.

A fair amount of agonizing has gone into deciding where to start the lace.  The pattern says to knit until you have about 60g left (of a 300g skein), and then to begin the lace.  As my skein was overweight, about 340g, I was unsure where to start.  This was exacerbated by the fact that I used a different decrease rate than the pattern calls for, decreasing every third row instead of every second.  This will effect how much of the material will be bunched around the neck like a cowl, before draping over the shoulders like a poncho.  The narrower the funnel, the more bunching and thus the less length; contrastly, the wider the funnel, the less bunching, so that you will get more of a poncho effect than an elongated cowl, and the longer the long edge will be.  Here is a photo of the pattern so you can see what I mean:

copyright Martina Behm

Many of the projects on Ravelry (and there are well over a thousand) have the long edge actually brushing the floor.  I don’t want it that long.  So, there is quite a bit of guesswork involved here, especially since I know it will block out quite a bit.  In the end, I decided I was tired of knitting stockinette, and this morning I knit the fist row of lace.  For those of you knitting this and looking for details, I had 82 grams of yarn left and 459 stitches on the needles at the start of the lace section.

While pushing ahead on the Viajante, I have also been indulging myself a bit by working on the Soumak Scarf Wrap.  Here is a progress photo from this morning:

IMG_7892I am really loving everything about this shawl, designed by Lisa Richardson and published in Rowan 54.  It’s interesting, too, because I would never have picked these colours, or even put them together in this order.  I debated substituting a different colour selection (Thank you, Ann, for discouraging me!).  I am so pleased that I stuck with Lisa’s design; the colours hang together and look beautiful and striking in all different lights.

And now to change the topic completely, about an hour ago I received my 100th follower on this blog.  This is a pretty exciting milestone for me!  Especially since I only know 6 of my followers personally (hi Romi, Sandra, Mom, Jossie, Joanna, and Teresa!) and very briefly met one other at a knitting workshop (hi Jen!); this means that 93 virtual strangers come back here and read again.  (The internet – it’s such a strange beast.) To each of you, I’m glad that you stop by and I love receiving comments.  Since I’m on the topic of milestones, I also recently got my 40,000th hit.  I think this is pretty cool. In fact, I think this is pretty cool even given that I was speaking to someone yesterday who gets 40,000 hits a day on his blog.  Speaking of 40,000 – I bet that there are 40,000 stitches on my Viajante shawl; and now, dear readers, I’m off to knit a few thousand more.

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Mesmerizing

I promised myself I would be good.  I would ignore the beautiful pile of Rowan Fine Tweed in 10 luscious shades.  I would have will power.  I would calmly knit away on the two long, endless (but lovely) projects currently on my needles.  I would most definitely not cast on something new.  I am here to tell you:   I have no will power.  I could no more resist casting on this project than I could my first sip of morning coffee.

IMG_7868I am mesmerized.  Completely ensnared.

It began with the pattern, the Soumak Scarf Wrap, designed by Lisa Richardson for Rowan 54:

Soumak_Scarf_Wrap_2_medium2I saw it and coveted it.  Despite trying valiently to stop buying more yarn, I put in an order for the wool.   And then, the wool arrived:

IMG_7866This wool is Rowan Fine Tweed.  I love this yarn.  My third ever post on this blog, way back in October 2011, featured the 7 shades of this yarn I had just purchased to knit the Peerie Flooers Hat by Kate Davies.  The post, I may add, was titled Yarngasm.

So, given the gorgeous pattern and the fabulous pile of wool, I can see in hindsight that I was seriously underestimating it’s power to ensnare me.  I thought just to cast it on and knit a few rows.  Once the pattern began to emerge from the needles, I got pulled in.  Look at this:

IMG_7873Be still my heart!

Even the reverse side is wonderful:

IMG_7870Absolutely mesmerizing!  Knitters, you have been forewarned: resistance is futile!

Little red dress

It’s definitely past time for another Wearability Wednesday post, and as today is not only Wednesday but also cold and grey and very autumnal, I’ll take the time to write one.  For those of you new to this blog, Wearability Wednesday (WW) is a semi-regular series in which I look back at some item I have knitted and examine it in terms of its wearability (I use this term mostly in its stylistic sense and not in terms of durability).  I am interested in whether the item actually gets worn, and if so, how it gets styled.   I recently wrote a post about dresses, in which I highlighted lots of great new dress patterns, so I will use this post to examine my Folded Mini Dress:

6076063740_20cccbf81e_zI loved this pattern, designed by Lynne Barr for her book, Reversible Knitting: 50 Brand-new, Groundbreaking Stitch Patterns, as soon as I saw it.  I knit it in the late summer of 2011.  I finished it while on holiday in Umbria, Italy, to celebrate my 50th birthday and my 20th wedding anniversary.  My daughter Emma took the photo above and my friend, Mark, the one below.  We were experiencing a heat wave and it was nearly 40C when we took these pictures.  I am surprised I managed to smile.

6076061910_2bbe18cc1d_zWhen I was knitting this, I was having serious problems with the pattern running way too big.  You could have fit two of me in the first try; I had to rip the whole thing out and start again.  I switched to a smaller size, and also switched to smaller needles, and still had to add nearly twice as many decreases.  I documented it all on my Ravelry page which you can find here.  It looks a bit tight in the photos above, but mostly that is because I was sweating madly in the heat and the dress was plastered to my body.

So, here we have a gorgeous dress.  How often have I worn it?  Well….never.  Why?  Isn’t it obvious?  This dress is much too short.  Despite having gone to great lengths to make the dress more fitted, I didn’t shorten it, and in fact am pretty sure that I added some length to the pattern.  Perhaps I am very long in the torso.  Whatever the reason, this dress looks fabulous as long as I don’t move.  Heaven forbid, I should sit down!

At first, I consoled myself with the fact that this dress was not made to be worn by itself as in the above photos.  First of all it is wool; knit with the lovely Rowan Felted Tweed, one of my favorite yarns.  My plan was always to wear it with a T-shirt underneath, and tights and boots.  With tights on, I reasoned, it won’t really matter if it’s a bit short.  Earlier this spring, I grabbed Leah and pressed her into camera duty, and we had a photo style shoot for this dress.  This is how I envisioned wearing it:

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I really love it fashioned this way.  I think it looks fabulous.  I am wearing it with the leather jacket AnElissa bought me for my 30th birthday.  It is stylish but well-loved and worn-in.  The necklace was a gift from my Dad over 30 years ago and matches perfectly.  The boots are Valentino, and I splurged on them nearly 20 years ago, and love them to pieces.  But the fact remains that the dress only looks good here because I have tugged the skirt into place and then not moved until the photo was taken.  If I take a step, lift my arms, or sit down, this dress moves out of the “looking great” stage and into the “mom, you’re embarrasing me” stage.

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I have spent two years trying to decide whether to rip the dress out, all the way down to the top of the folded cables, add another four to six inches of cables, and then re-knit the bodice.  I actually have plenty of yarn left over in the same dye lot.  I also know it would go much faster the second time.  The pattern has a lot of fiddly bits along the armholes and neckline.  This is because the dress is designed so that it could be worn with either side in front, and also so that it can be worn inside out (the reverse side is equally cool).  This is one of the things that really attracted me to the pattern in the first place.  It is very, very clever. (In fact, the whole book is full of reversible designs, and is really great; I highly recommend it.)  I am pretty sure that I would always wear it this way, however, which means if I were to re-knit it, I could get rid of the fiddly bits, and just pick up around the arms and neckline for ribbing in the standard fashion.

Somehow, though, there is always something new to knit, and the thought of ripping and re-knitting this (yet again) just doesn’t appeal.  So what to do?  Is this beautiful dress destined for the frog pile?  Well, it should be noted that a dress which is too short on a 52 year old, looks pretty damned good on an 18 year old:

IMG_5997See!  She can jump in it!  She can walk in it!

IMG_5978She can even sit in it!

IMG_5968Clearly, the solution to this Wearability conundrum is to give the dress to Leah!  Way to go, Leah!  You lucked out big time!

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Slow and steady not winning the race

My knitting progress over the last few months can be described, if I am being very generous, as slow and steady.  This might have worked wonders for the tortoise but it’s not winning me any prizes.   I am simultaneously working on two projects which are both progressing very slowly, for very different reasons.  First is the lovely Exeter jacket, which I hesitate to admit I cast on over six months ago!  My knitting on this has been very off and on, with emphasis on the off. I finished the sleeves months ago, and have been plodding away on the back.  I am now just 3 inches shy of being finished with the back:

IMG_7853You can see why it is slow knitting; it is densley cabled, and the pattern is intricate and not easily memorized, with lace inset into the cabling.  I also find that the yarn, Brooklyn Tweed’s Shelter, is hard on my fingers, and because of this I can’t knit on it for long. I should point out at this junction that I have already washed and blocked the sleeves and discovered that the Shelter transformed beautifully after washing.  I will have to finish this jacket, and wear it for a bit, before I can make an appropriate judgement on this wool.

Though finishing the back will be a big milestone with this jacket, there is still a lot of work left.  The fronts are double breasted, and have pockets, and the collar has endless amounts of ribbing.  (In case you have forgotten, you can see photos of the pattern, designed by Michele Wang, here.)

The other project on my needles is the beautiful Viajante shawl, which is a cross between a shawl and a poncho and a cowl, and is designed by Martina Behm.  This is knit with one skein of Wollmeise Laceweight yarn.  I can hereby testify that these skeins are never-ending; surely some magic is afoot because I knit and knit and knit and the ball never gets smaller.  Luckily, the yarn is beautiful:

IMG_7842And you can already tell that this piece will have fabulous drape:

IMG_7841Despite knitting on this for months (almost three of them) I still have about a third of the skein left to go.  I had Doug snap the photo below so you can get a sense of the current size of this.  For some reason, I seem to be glaring at it unhappily.

IMG_7835Now I am a reasonable being; I know that if I just keep at it, I will finish both of these projects (and right in time for the fall).  That doesn’t seem to keep me from wanting desperately to cast on something else.  Maybe something really small and fast, I tell myself, like a pair of mitts.  I can finish them in a week and get right back to these two monsters.  Unfortunately, just today I have received an order of yarn which I made over a month ago:

IMG_7862This is a great big pile of Rowan Fine Tweed, destined to be a Soumak Scarf Wrap, designed by Lisa Richardson:

Soumak_Scarf_Wrap_2_medium2This is clearly not a small, fast project.  I would be crazy to cast on another endless project right now, wouldn’t I?  But just look at it; isn’t it gorgeous?  And look at this yarn:

IMG_7865I am trying to emulate the tortoise – slow and steady wins the race, slow and steady wins the race.  On the other hand, it’s not a race.  Fortunately, I just do this for fun. I can knit whatever I please.   Maybe casting on something new (or dreaming about it) is the knitting equivalent of stopping and smelling the roses?  Stay tuned to this space – sooner or later, I’ll finish knitting something.

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Unexpected holiday, part 2

In my last post, I shared the first day or two of a surprise holiday to Cornwall and Devon.  We were, quite unexpectedly, given the use of an apartment in Plymouth for a week (Thank you, Raj!).  Our second day in Plymouth fell on the Bank Holiday Monday, the last official day of summer holiday.  It was also, by lovely coincidence, Doug’s birthday.  We spent the morning lazing around the Hoe, a beautiful public park right on the waterfront in Plymouth (and a 5 minute walk from our apartment).

20130826_133350Plymouth has coffee shops spread along the waterfront and is prime people watching territory.  We grabbed a table, I took out my knitting (but of course) and happily spent the morning watching the boats and the people sail by.  (Doug alternated his people and boat watching with reading a mathematics journal – there is no accounting for taste.)  The girls often lamented the fact that there is a dearth of outdoor pools in England, so I include here a photo of Plymouth’s newly restored Lido.  Not too shabby, huh?

20130826_133936In the afternoon, we hopped in the car and drove out to Salcombe, along the Devon coast just east of Plymouth.  We picked it for the same reason we picked Rame the day before – we were hoping to avoid the traffic by staying close to town, and the guide books said it was pretty.  They did not lie.

IMG_7579Question:  Can one find a nice spot to sit and knit in Salcombe?

Answer: Most definitely!

IMG_7559We didn’t have any plans for Doug’s birthday dinner, but while walking through Salcombe, I found a restaurant, called dickandwills, that looked really promising.  First, the sign said that it had “possibly the best view in Salcombe”.  I love that!  “Best view in Salcombe” would not have turned my head, but that “possibly” really grabbed me. (By the way, the view is amazing; click on the link and check out their photos.)  And the menu was mouth-watering.  The restaurant was closed for that break between lunch and dinner so there was no way to determine if they had a table free.  I wandered into the Salcombe Deli across the way, and while purchasing some gluten-free treats, I casually asked the owner if he could hazard a guess as to availabilty at the restaurant that evening.  He picked up his phone, called the restaurant’s owner at home, and booked us a table!  Our whole trip followed this pattern; I couldn’t believe how nice everyone was.  If you are ever on the South Devon coast, go and eat at dickandwills.  The food was fabulous, the service was great, the views impressive, and the price reasonable.  It was a perfect birthday dinner.

On the Tuesday, we drove to Watergate Bay, just above Newquay on the Cornish coast.  Our mission was twofold:  I wanted to show Doug the amazing beach at Watergate Bay:

IMG_7592and the lovely Watergate Bay Hotel, which you can see nestled into the cliffs on the photo above.  I once spent 4 lovely days here for a knitting retreat!  Since then, they have added a spa to the hotel, and its former glory is now surpassed.

IMG_7610The hotel runs a surfing school, and the beach is filled with wetsuit-wearing water sports enthusiasts all year round.  (My knitting retreat was in January – there was ice on the beach, and there were surfers even then.) Jamie Oliver’s flagship restaurant, Fifteen, is also there right on the beach. (We tried to get in, without a reservation – they said “We have a free table 5 weeks from now if you want it.”)  This is a very windy beach (note that I am wearing my Neon cardigan while standing on the beach in August).  This brings us to my second reason for bringing Doug here – it is the best kite flying beach around!

IMG_7679The big kite in the foreground is ours, and that is me flying it!  These kites are so big, and the wind so strong, that you have to fight to keep your feet on the ground.  They are a blast to fly, and also hard work.  Can you tell that I am having fun?

IMG_7698I am not as good with a camera as Doug is; I tried to get a good photo of him flying the kite.  He is also better at flying a kite.  He does these figure 8 moves where the kite comes  crashing down to earth, only to swing around at the last moment and zoom back up to the sky.  I managed to get one photo just as he is stopping the mad descent; it takes a lot of strength – you can see his foot leaving the ground.  A second later, his whole body was pulled skyward.

IMG_7657On the Wedensday, our destination was St. Ives.  This is a town on the Cornish coast famous for being an artist’s hub.  There are over a hundred art studios in St. Ives; some are rather touristy, but many are very good.  St. Ives also has beautiful beaches, twisted cobblestoned streets, tons of restaurants, coffee shops and bars, and wonderful people watching.

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IMG_7708I was unfamiliar with the British beach scene, and so got a kick out of the colourful windscreens surrounding every towel!  I also enjoyed some of the configurations of people on the beach – like the giant circle below.  All they need is some fabric squares and they could form a quilting bee!

IMG_7714While Doug was busy with the camera, I was chatting with people and – you guessed it – knitting away.

IMG_7736Here I am working on the endless (but lovely) Viajante shawl.  I fear I shall never finish this baby!  (I include these knitting photos because, after all, this is a knitting blog; I don’t want my dear readers to abandon me for my lack of knitterly content!)

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In addition to the fabulous scenery, Doug had an ulterior motive for bringing me to St. Ives.  The absolutely top thing to do in Cornwall and Devon, is to have a cream tea.  A traditonal cream tea consists of two lovely homemade scones, strawberry jam,  to-die-for clotted cream, and a pot of tea.  This is a treat I always pass by because I have coeliac’s disease and thus can’t eat gluten.  Doug had spent time carefully searching the internet for the best gluten-free tea in Cornwall, and had found it here:

IMG_7726This is the tea room, which is right on the waterfront in St. Ives.  We started with lunch, and I had a crab sandwich, which was served on gluten-free bread.  It had nothing but crab – lots and lots of crab – no filler, no celery, just crab, on homemade GF bread, with homemade citrus mayonnaise served on the side.  And cole slaw made with real clotted cream.  I thought I’d died and gone to heaven.  And that was before the cream tea was served:

20130828_145803These scones were simply perfect.  If you are ever in St. Ives, gluten-free or not, you should have a cream tea here.  I must also point out that we shared the best pot of tea I have had in ages.  Yum!  (Totally worth the 2 -hour drive from Plymouth and the hassle with parking.)

20130828_145738Replete from a fabulous lunch, we returned to the car and drove westward along the coast from St. Ives.  This is the most beautiful drive.  The scenery in this part of the world is truly breath-taking.  We stopped in the very cute town of Zennor, which has a lovely church set against the backdrop of rolling hills.

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The Coastal Path, which runs for hundreds of miles along the Coast, has a very beautiful stretch between Zennor and St. Ives, which is about 7 miles long.  I would love to have hiked it, but at this point in the trip I had developed achilles tendonitis and wasn’t up for it.  The path looks like this as you lead out from Zennor:

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and has views like this:

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That stretch of path is definitely on my to-do list.

The next day, we drove home, but we took a slight detour to drive through the Dartmoor.  The Moor is wonderful.  Realy, truly wonderful.  If you ever get a chance to go there, take it up.

IMG_7791IMG_7776The moor is famous for the wild ponies which roam freely, and in abundance:

IMG_7815IMG_7780And, scattered throughout the moor, are a few very tiny, very picturesque villages.

IMG_7804Driving through the moor takes forever, because every hundred feet or so, you feel obliged to stop the car and stand in awe drinking in the view.  If you are Doug, then you must also grab the camera.  At one point, he pulled over, took the camera, and walked off; he was gone for 30 minutes.  Does this bother me?  Not at all:

IMG_7824One of the secrets to a good marriage is to have complimentary hobbies!

For only a five day holiday, we squeezed a lot in!  Now that Cornwall and Devon are on our radar, we will definitely return.  And I will return to this space soon with real knitting content.  Promise!

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