Peerie Flooers

Here is a little preview of the gorgeous Peerie Flooers hat so you can see how beautifully these colours work together.

I have wanted for a long time to teach myself how to do two-handed knitting.  For those unfamiliar with this technique, here is a long aside. There are two major styles of knitting.  In continental knitting, you wrap the yarn around the left hand and use the right needle to “pick” or draw the thread through the stitch; in English knitting, you hold the yarn in the right hand and “throw” the yarn to make the stitch.  I use the latter method, which my grandmother taught me when I was a child.  When working with two colours, as in Fair Isle knitting, you hold one colour in your left hand and one in the right, and you knit continental style when knitting with the yarn in the left hand, and English knitting when using the yarn in your right hand.

I have tried this technique in the past and am hopeless at it.  Despite being left-handed, I feel as if my left hand is completely useless, and I am so slow it feels as if I am just learning to knit.  I never manage to stick with it long enough to work up any speed or proficiency.  I have had my eye out for a small colourwork project that is so perfect that I can’t possibly cast it aside.  As soon as I saw Peerie Flooers, I knew this was it.  I have read that many knitters are choosing this as their first colourwork project, which is a testament to Kate Davies‘ genius.

Yarngasm

I stopped at John Lewis last week to pick up some Fine Tweed, a new yarn release from Rowan, and couldn’t believe how gorgeous this yarn is.  I bought seven colours, to make the beautiful Peerie Flooers hat by Kate Davies, but had to restrain myself from buying out the lot.  The colours are so beautiful you have to see them in person to really appreciate them.

I asked Emma to try to capture the colours in a photo.  Every day, I would say “Have you taken the photos yet?”  And she would say “I’m waiting for the right light.”  Well today the light was right.

Doesn’t it make you want to sit and knit?

Sleeve troubles

I loved the two new books of patterns released by Brooklyn Tweed this fall.  I had quite a few of them on my radar, but my eyes kept being drawn back to Levenwick, an asymmetrical cardigan designed by Gudrun Johnston.  I like her design style, and the cardigan seemed right – fast, cute, suitable for the office, nice weight.  I ordered some Cascade Heather wool in 2433 (Pacifica, a teal with slightly more green than blue), and was off.

The knitting was fast and seemed to be progressing well.  I finished the body of the cardigan in under two weeks, and just had the sleeves and finishing to go.  I fully expected to be wearing this within a week.

And then it began….sleeve troubles.  I never have been one to enjoy knitting sleeves in the round.  Unlike nearly everyone else on Ravelry, I actually like to seam, and I’ve never knit a sock, so I don’t have much experience with DPNs.  And I realized once I began that I have never purled with DPNs.  Now I am not one of those knitters who dislikes purling; in fact, I have never found there to be much difference between knitting and purling in terms of ease or comfort levels or speed.  I discovered once I started the sleeves, however, that when I tried to purl on DPNs, I got terrible ladders at the point where the needles joined.  Nothing I tried seemed to help  (adjusting tension, pulling on the yarn, moving the joints around the needle, etc).

Clearly I needed another approach.  I spent an evening looking at youtube videos of various knitting in the round techniques (without the sound, as I was watching a movie with the kids at the same time – and I always tell them not to multitask!)  I decided to try the method using two circular needles, and though I gave it an honest go, I had no luck eliminating the ladders.  Finally, after knitting an entire sleeve, I ripped it all out, and stewed for days in annoyance.  My three week sweater was no longer.  (I should also mention, for those knitting Levenwick, that the sleeve was much too tight.  I planned to cut back on the decreases when reknitting.)

My next step was to learn the Magic Loop method.  This, in my opinion, was the best overall option, and helped reduce the ladders, but not entirely (plus the added benefit that there are now only two ladders instead of three or four around the circumference of the sleeve).  Unfortunately, I didn’t photograph the extremely frustrating and ladder-ridden sleeve the first time around, but here is a close up produced in the reknit sleeve using Magic Loop:

I am hopeful that these can be blocked out for a nice finish, and I am much happier with the fit of the sleeve, having started the decreases later, and making two less sets than called for. A very nice touch is the i-cord edging on the sleeves.  I don’t think I’ve done this before.  Gudrun’s instructions are very clear and the results are lovely.  You can see it on the right side in the photo above, but that doesn’t show it off well since the cardigan is knit in reverse stockinette stitch.  Below is a photo with the sleeve turned up to give a better look at the edging.  Now, on to the second sleeve!

Stripes

Last weekend,  I finally managed to block my Stripe Study Shawl.  I started this in May when the design, by the very talented Veera Välimäki, was still new.   A quick check of Ravelry today shows 1371 projects with no signs of its popularity easing.    The shawl is compelling to knit – there is something intrinsically soothing about garter stitch, and the colour changes and variations in stripe widths mean that it never becomes monotonous.

I used two skeins of Wollmeise that were sitting in my stash – originally they were destined for a pair of fingerless mitts (Cheesehands by Julia Mueller; a very cute pattern).   There is a luminosity in the Wollmeise that is hard to describe, and to photograph.  These photos, taken by my daughter Emma, do a great job of showcasing the shawl – she has caught the project  in many different lights, since I first cast on.  This is my first time knitting with Wollmeise.  It  has become something of a star in the knitting world – at the Knit Nation 2010 in London there was nearly a stampede in the marketplace as knitters descended on the Wollmeise stand.  I am not sure that this one project is enough for me to become a fanatic, but I am completely taken with the richness of the colours.

One of the things that attracted me to this pattern is the asymmetry.  I had begun to wonder whether that will make it virtually impossible to wear.  I’ve worn the shawl several times this week, however, and find it very wearable.