Pattern Radar: January 2020

Here is my pick of patterns that have caught my eye lately.   They are all very interesting, with cool stitch patterns or constructions that engage the brain as well as the eye.

Normandale by Norah Gaughan

Normandale_Brooklyn_Tweed_Inscribed_Bridge_City_Norah_Gaughan_05_medium2

© Brooklyn Tweed/Jared Flood

The more I look at this, the more interesting it becomes.  Designed by the incomparable Norah Gaughan, this uses mosaic stitch with two different weight yarns – a chunky and a DK weight.  With mosaic stitch you only knit with one yarn at a time, so you can do fairly complicated-looking colourwork without stranding.  I like mosaic stitch (here is a sweater I knit using the technique), but the idea of doing it with very different weights of yarn really appeals.  The organic structure it reveals is inspired by Portland’s bridges.

Tsubaki Pullover by Hiroko Fukatsu

© Hiroko Fukatsu

These big, chunky, cables are fantastic!  And, like the above cardigan, the more I look at them, the more they pop. But I have to admit that what really drew me into this pattern was the description on the Ravelry pattern page (see link above): “Tsubaki – camellia japonica – is an epaulet sleeve pullover with large, gorgeous cables, worked without ever cutting yarn. Enjoy the original construction of this sweater!”  I am now totally intrigued.  I can’t even begin to figure out how that could work, and I have to know! The technical knit nerd in me can’t resist.  The fact that the sweater is gorgeous is like frosting on the cake.

Brandi Cheyenne Harper’s Gentle Cardigan by Brandi Harper

© Brandi Harper

I am not usually a fan of chunky knits.  In particular, I find that the finishing never looks neat.  But this one has gorgeous finishing details.  Just look at the line of the shoulder and the very elegant edging.  Brandi Harper only has a few patterns published, but they are really eye-catching. (Just look at this dress made in super chunky wool; it brings out the Judy Jetson in me!)  I am definitely going to be watching her work.  (I am also completely captivated by the smile in this photo; I want to be her friend!)

Clade by Stephanie Earp

© Stephanie Earp

Another really beautiful stitch pattern is used to an interesting effect by Stephanie Earp. It manages to look very etheral – with the delicacy of the mohair contrasting with the variegated silk. The sweater seems to glow in these gorgeous tones. Stephanie mentions that the sweater has a tendency to catch, so this is a special occasions piece. This would match almost any other block colour, and you would really make an entrance wearing this. Stephanie has been doing some interesting things with colour lately, which has put her firmly on my radar.

Caroline by eri

Camel © eri

This amazing cabled sweater is knit in a light fingering weight wool.  Can you imagine knitting so many cables in such delicate yarn? It is knit top down in one piece with raglan sleeves, and the way that the cabled details are incorporated into the shaping is brilliant. I also like the sleeves. The slight cuff and the intricate cables down the side make for a subtle but stunning sleeve. This would look good in any colour, though I personally would stay away from variegated yarns to keep the cables firmly as the focus. The neutral is a fantastic choice, and this particular yarn is not just called Dry Desert Camel, but is 100% camel! How cool!

Honeycomb by Yumiko Alexander

© Yumiko Alexander

I just LOVE the shape on this one. Its a very playful design, with really clever details. The slip stitches in the pattern compress the fabric on the one side to create the asymmetric drape. I could see myself wearing this to work, out to dinner, or even for a walk on the beach. This is made of silk, but would probably look great in linen as well. The pattern includes options for a longer sweater or for wider sleeves, so you can customize it to suit you.

That’s my selection of great sweaters for this month. I am currently unable to knit due to my de Quervain’s tenosynovitis acting up. My family tells me this makes me very grumpy. I console myself by adding patterns to my queue, which has grown by leaps and bounds, and by being extra grumpy just to annoy them.

Pattern Radar: I’ll have some texture with that, please

The patterns that have caught my eye this week have played around with texture.  I’ve been fascinated by colour and stranded knitting lately, but texture has always been my catnip.  Here are some designs which are doing good things with texture, from a little taste to allover patterning.

Olive Sweater by Jemima Bicknell:

© Jemima Bicknell

This sweater is from the book, Art Deco Knits: Creating a hand-knit wardrobe inspired by the 1920s – 1930s by Jemima Bicknell.  I love Art Deco, in architecture, in jewellery, and in fashion.  The cables on this pullover are just fantastic.  Set against the simple shape of the sweater, they pop!  It reminds me in equal parts of a beautiful art deco building I lived near in Potsdam, and of The Jetsons, a “futuristic” animated TV show from my youth.  (Now I’ve dated myself.)  I think this has a cute, vintage feel to it.

Shifting Sands Pullover by Norah Gaughan

© Norah Gaughan

I’m not surprised by this design making the list, since Norah Gaughan is the queen of texture.  The shape of this one is very simple; in fact it is rather shapeless and boxy (which happens to be big news in the knitting world right now).  But the asymetrical cables are mesmerising, as they shift and flow across the space.  If you’ve ever been in shifting sand, you can definitely see how this pullover got its name.

Nisaba by Asja Janeczek:

© Whiteberry

This cowl pattern has a rich, luscious texture.  It is named after the Sumerian goddess of grain and harvest and was inspired by memories of traipsing through grain fields.  This first attracted my attention with its gorgeous juxtaposition between the three dimensional, undulating cable patterns and the flat sections worked in garter stitch with short row shaping.  Having a daughter who studies ancient Sumerian, the name kept my attention focused.

Firenze by Irina Anikeeva

© Irina Anikeeva

This simple pullover with a great cabled yoke jumped out at me.  I love that it is in sportweight rather than worsted, and looks both sophisticated and casual.  I think this could be dressed up or down, and would look great in neutrals or jewel tones.  (I am thinking about a rich yellow-gold.)  It’s knit top-down with the increases ingeniously incorporated into the cables.  This would be a quick and satisfying knit.

The Beauceron by Designs by Delz

© Designs by Delz

I am always on the lookout for great menswear.  This is only the second pattern published (on Ravelry) by Vincent, the designer behind Designs by Delz.  I will definitely be keeping an eye on his work.  One might think that I am squeaking by here on the “texture” label, but in fact the colourwork on the yoke of this pullover combines slip stitches and purls, resulting in a beautiful subtle texture that highlights the lovely colourwork.  While I classified this as menswear, it is a great unisex piece; see the pattern page for an example worn by a woman.

I’m still chugging along on the Falkenburg jacket – sleeves in seed stitch with size 2 needles take a very long time to knit.  I have about 6 inches of the second sleeve still to go.  Have a good weekend and don’t forget to add some texture to your next order!

(By the way, this is my 400th post!  Who would have guessed I would still be doing this?)

Pattern Radar: Fusion Knitting

I am a real fan of fusion cooking.  It’s about taking the best of two or more traditional cuisines and combining them into a single dish.  As you may know, I have become very interested in Fairisle knitting, and indeed in stranded knitting techniques in general.  I have spent many hours pouring over patterns and projects and admiring the use of colour and pattern and technique.  One of the things that has been catching my eye lately, however, is what I am going to call Fusion Knitting – garments that are created by combining traditional knitting styles and techniques.

Here is an example:

© Jennifer Beale

This design, called Heart’s Content, is by the Canadian designer Jennifer Beale. She has only released eight patterns so far (on Ravelry here), but each combines different knitting styles in interesting ways.  Heart’s Content is a basic top-down, in-the-round, knitted tee, in which the lace pattern at the top and shoulders transitions to stranded knitting for the body of the garment.  Not only is it pretty and imminently wearable but it has an advantage for someone who is new to stranded knitting: no steeks!

Another example of her work is the design called Joe Batt’s Arm:

© Jennifer Beale

I really love her poetic description of this garment (from the Ravelry pattern page):

Joe Batt’s Arm is a structured, seamed cable knit with textured fair isle banding. The fair isle bands border the eyelet cables the same way that a bright blue night encloses the Fogo Island Inn with all of its light on. At the same time, the raglan shoulders lend a sporty quality to the pullover.

I dare you to read that sentence and not to want to search for the Fogo Island Inn.  I already did and I want to go there RIGHT THIS MINUTE!  Check out the photo here.  I love that she mentions her inspiration for this, as it really clicks once you’ve seen it.  This is a very intriguing and striking garment, and I imagine it would be both fun and challenging to knit.

Another knitter who is exploring the fusion of different knitting styles is the Japanese designer Junko Okamoto.  Here is her design, Astrid:

© Junko Okamoto

I love this pullover which combines a beautiful muted stranded pattern with cabled sleeves.  Like Heart’s Content above, this is an example of a stranded garment that doesn’t need steeking.  Astrid also has a loose, billowy shape – a new profile that is in counterpoint to the fitted garments of recent years, and has been championed by a crop of new (to me at least) Japanese designers of handknitting patterns.  It is a one-size-fits-all garment designed to be voluminous.  (I am eagerly awaiting projects of this pattern on knitters of various sizes so I can evaluate its drape and fit.)

I’m not sure whether to call it fusion knitting as such, but I am also really caught up by Junko’s Bouquet Sweater and Bouquet Scarf, both shown in the photo below:

© Junko Okamoto

If you look really carefully at the photos (go check out the Ravelry project pages), you can see the very interesting mix of techniques, including stranding the yarn on both the wrong and on the right side to create this ethereal, three-dimensional patterning that looks like moss on the forest floor.

I am totally captivated by these examples of Fusion Knitting and I would love to find other designers also pushing the boundaries and doing interesting juxtapositions of traditional styles and techniques.  If you know of any, please mention them in the comments!

Pattern Radar: Fly me to the moon

Here is a short and sweet Pattern Radar post.  Today, the Pom Pom Quarterly released their new issue (#26) with 11 patterns inspired by the moon and its phases.  And they are fantastic!  Look at this:

© Amy Gwatkin

This is Ixchel by Catherine Clark.  Isn’t it gorgeous?  This is such a beauty.  I think it is a showstopper, and on top of that, it looks like it would be totally fun to knit.  Not convinced? How about this beauty?

© Amy Gwatkin

I am a crazy fan of black and white knits and this one hits all of the right notes for me.  It is practically luminescent.  The design is Luna by Anna Strandberg.  I think it is so classy, with lovely architectural lines and a modern shape.  It makes my fingers itch to knit it!

I’ll show you one more, because I can’t resist:

© Amy Gwatkin

This is Artemis by Esther Romo.  It is positively swoon-worthy.  It has been a long time since I’ve seen a collection with three designs that capture my attention so thoroughly.  (And while these are my favorites in the collection, it has 8 other great patterns!)

I can’t end without pointing out two things.  First, all three of these designers are new to me! And that makes me all kinds of happy.  Second, we see continued here the trend to use more diverse models in knitting pattern design.  I mentioned this in a recent post, and am very happy to see more and more designers and publications using models of all shapes, colours, and ages.  These beautiful models make me all kinds of happy, too.

Pattern Radar February 2018

Take a little bit of knitting ennui, add a smidgeon of pattern over-abundance, and stir it up with a handful of work-induced stress: what do you get?  Pattern indifference.  It’s been a while since I’ve been excited by new patterns.  But now that is starting to change.  Maybe because the days are getting longer, maybe because I’ve got some knitting mojo back, and maybe because there are a lot of cool designs popping up.  Whatever the reason, it’s time for a Pattern Radar post.

1. Strathendrick by Kate Davies

© Kate Davies

I love this new design from Kate Davies.  She says: “The landscape which surrounds my home provided perfect inspiration for something I’ve long wanted to design – a statement allover sweater in which vintage colourwork combines with a contemporary look and shape.”  I think she nailed it: this is a fantastic pullover – I love the colours, the shape, the juxtaposition of vintage and contemporary, and the fluid drape.  I also love that Kate models her own stuff.  I love the gorgeous photos her husband, Tom, takes.  I love the design ethic and the love of nature in their stuff.  There is 20″ of ease in this sweater.  That’s a lot of ease, and a lot of stranded knitting, but it’s got my fingers twitching despite that.

2. Inkwell by Alice Caetano

© Alice Caetano

I have a thing for black and white geometric patterns.  This goes all the way back to the 1970s, when I would wear black and white geometric sweaters with mini skirts and my favorite white go-go boots.  (Doug reminds me that I was still wearing this look when he met me in the 1980s.)  I don’t think I’ll ever go back to that style, but I would wear Inkwell in a minute with a black pencil skirt or a pair of jeans.  This design is from the Winter 2018 edition of amirisu – the whole edition is a glorious tribute to black and white geometry.  I love the details on this one, in particular the way the central patterned section on the front is angled downwards towards the middle, creating a very flattering line for those of us who are no longer wearing mini skirts and go-go boots.

3. Trembling by Anna Maltz

© Anna Maltz

This design just went live on Ravelry today.  It is from Anna Maltz’ new book, Marlisle: A New Direction in Knitting.  This is a very cool pattern, and the longer you contemplate it, the cooler it gets.  Not only because of the way she is creating interesting riffs on marl (in which two different colour yarns are knit together), but also because of the fantastic, and nearly imperceptible shaping in the yoke.  I love this!  (Admission: I don’t even like marl very much.  This might make me change my mind.)

4. Cahal by Linda Marveng

@ Eivind Røhne

Linda is on a roll these days.  She keeps knocking out great patterns.  What I love about this one is how much she has accomplished with some texture and some rectangles. She has combined them into a truly fascinating and eye-catching shape.  I love the piece around the neck, from both front and back.  I love the visible seaming which really draws the eye to this feature. I like the way it drapes over the shoulder, too, creating a drop shoulder which is not a dropped shoulder, if you see what I mean.  This pattern has only been released in Norwegian so far, but the English-language pattern is on its way, so clear the knitting decks!

5. meander by Lori Versaci

© Chrissie Knight for VERSACIKNITS 2017

I guess I have Lori Versaci on my mind these days, as I have just this week cast on one of her designs.  This cardigan is fantastically lush.  Click on the link and look at the close-ups; it really is beautiful, and cozy, and soft, and lofty – you can tell just by looking.  The sample cardigan is knit in Woolfolk Tov, a very lush yarn.  I looked it up and it would cost me £345 ($480) to knit this in Tov in my size – that is a lot of dough – but oh how tempting!  I think I would wear this all the time if I had it!  I would have to fight off my daughters for it.  This one is going on my wish list and in the meantime I will be keeping an eye out for a possible yarn substitution.

6. 1704-12b Elvira bukse by Viking of Norway

© Viking of Norway

Pattern Radar is for patterns which catch my eye, and this one certainly has done that!  I love these intricately patterned leggings.  If I were more skilled at stranded knitting, these would be on my needles right now!  (They would, however, not end up on my butt, but would rather end up on Emma’s – she could really rock these!)  These would require both knitting skill (and the ability to follow a Norwegian pattern) and a bit of style fearlessness to wear, but I think they are fabulous.  Apres-ski, anyone?

A pattern to celebrate my 300th post!

This is my 300th post on this blog!  I am very excited to still be writing the blog, and happy that people keep reading it.

To celebrate my 300th post, I designed and knit a beautiful, colourful shawl and have posted the pattern here for you.

I had three goals in mind with this pattern:

  1. It had to be in garter stitch. (Mindless knitting, yeah!)
  2. It had to use yarn already in my stash. (Limited funds, boo!)
  3. It had to match my COOL BOOTS! (Cool boots, yeah!)

(The boots are from Camper.)

Here is a photo of it laid flat:

I love this shawl.  It is a deceptively simple pattern, composed of long, thin triangles, but once it’s off the needles it has fabulous drape and the colour pops!

Please enjoy the pattern.

Cool Boots: a shawl pattern by Kelly Sloan

The shawl is knit lengthwise in garter stitch, with six very long triangles formed with short rows.  Please read the pattern through before knitting, particularly the Notes at the end.  You should review the instructions for German short rows in garter stitch (which you can find in this post on the blog).

Size: Approximately 18” x 70”

Yarn: Fingering weight wool in three colours; approximately 70 grams (350 meters/383 yards) of each colour.  For this shawl I used Tvinni Tweed by Isager in shades 17S, 28S, and 32S.  These are 100% wool tweed yarns in shades of red, coral and fuchsia, with a grey tweed undertone.

Needles: US 4 (for the shawl); US 6 (for casting on and binding off)

Gauge:  24 stitches and 48 rows (24 garter ridges); very lightly blocked.

When I took the shawl off the needles, it measured 16.5″ x 64″.  I very lightly wet blocked it to 18″ x 70″.

 

Directions.

With Colour A and US 6 needles, cast on 380 stitches.

Switch to US 4 needles.

Triangle 1:

Row 1 (RS) – knit 2 rows.  (You will have one garter ridge on RS of work).

Row 3 (RS) – knit to 12 stitches from end, turn work.

Row 4 (WS) and each remaining (WS) row – slip first st as if to purl, pull yarn to the back, knit across all remaining stitches (you have thus performed a German short row; see Notes).

Row 5 and RS rows: Knit until 12 stitches from the last German short row (indicated by the “double stitch”), turn work.

Continue until 18 stitches remain before the last German short row.  (This number could vary depending on how you count your short rows.  Continue until you have between 12 and 24 stitches before last short row.)

Next row (RS) – knit all the way across, knitting each ‘double stitch’ together as one stitch. (See Notes for German short row.)

Next row (WS) – knit all stitches

You should now have two garter ridges at the narrowest edge of the triangle with the right side facing you.  At the wide edge, you should have 32 garter ridges (note that this number is not important, but it should be the same for each triangle.)

Triangle 2:

Change to Colour B.  Knit 3 rows, ending with a RS row.  You should have one garter ridge with Colour B with the right side facing.

Row 4 (WS) – Knit to 12 stitches from end, turn work.

Row 5 (RS) and each remaining (RS) row – slip first st as if to purl, pull yarn to the back, knit across all remaining stitches (you have thus performed a German short row; see Notes)

Row 6 and WS rows: Knit until 12 stitches from the last German short row (indicated by the “double stitch”), turn work.

Continue until 18 stitches remain before last short row (or same number of stitches as for last triangle).

Next row (WS): knit across all stitches, knitting each ‘double stitch’ together as one stitch.

You should now have two garter ridges at the narrowest part of triangle 2, when viewed from the right side.

Repeat these instructions twice more, thus making a total of 6 triangles, changing colours as indicated in the chart.

With RS facing, and using a US6 needle, cast off all stitches.

Finishing: Weave in ends.  Wash and block lightly.

 

Notes

Note 1.  Weigh your yarn.  At the end of the first triangle, weigh remaining yarn of Colour A.  You will need enough yarn for two triangles in each of the three shades.

Note 2.  In the beginning, mark the right side (RS) of work with a removable stitch marker.

Note 3. All colour changes are made at the beginning of a RS row.

Note 4.  The narrow edge of each triangle has two garter ridges.  The first of these is made before you begin the short rows; the second garter ridge is made at the end of the triangle, after the short rows, when you knit across all of the stitches.

Note 5. On the first, third and fifth triangle, the short rows are made (the work is turned before the end of the row) on the RS rows; on the second, fourth, and sixth triangles, the short rows are made on the WS rows.

Note 6.  There is a photo tutorial of how to do German Short Rows in garter stitch on my blog.  You can find it in this post.  This is by far the easiest way to make short rows in garter stitch, and should not leave any holes in your work.

Note 7.  Put a removable stitch marker into the ‘double stitch’ formed by the German short row.  After each short row, you can move the marker, so it always marks the last short row knitted.  This makes it easier to know when to turn on the next turn row.

Note 8.  When counting the 12 stitches between short rows, I counted the ‘double stitch’ from the previous short row as stitch number 1.  This is illustrated here:

Note 9. You can make the shawl shorter or longer by casting on fewer or more stitches, respectively.  You can change the width of the shawl by increasing or decreasing the number of stitches between each short row (the more stitches between short rows the “narrower” the triangle will be).

That seems like a lot of Notes, but the pattern is very intuitive and easy peasy.  Please enjoy!

This shawl has not been test knitted.  If you find any mistakes, or have trouble understanding any part of it, please let me know.  You can leave a question on the blog, or you can write to me on Ravelry (my Rav name is kellydawn).

A final note: Please respect my copyright.  Do not reproduce or publish any part of this pattern without my permission.

Pattern Radar – August 2016

It’s been a long time since I’ve written a Pattern Radar post.  Mostly this is because the last stages of finishing the MBA exhausted me and I’ve been recovering slowly.  The second, and perhaps related, issue is that I have a bit of knitting burn-out.  This means that patterns just aren’t reaching out to grab me – there seem to be too many patterns coming out all of the time, and my knitting mojo is low (see my post on Pattern Bombardment Syndrome here).

That is not to say that there have not been some lovely patterns out lately.  Here is my selection of the ones which really caught my eye.  We will start with publications, both books and knitting magazines.  The one which blew me away is Kyle Kunnecke’s Urban Knit Collection.  I don’t believe it has been released yet in print, though Kyle has put up all of the pattern pages on Ravelry in order to whet our appetites. I pre-ordered the book instantly; something I rarely do these days. There are so many great patterns that it is hard to choose, but my favorite of the collection is Savoy.  Here are front and back views. This one is definitely on my to-do list.

© 2016 Interweave

© 2016 Interweave

I think that Kyle is an incredibly inventive designer.  Here is another one from this collection, the men’s pullover Brandt, which is knit in one of my favorite yarns, Rowan Felted Tweed:

© 2016 Interweave

Kate Davies also published her book on Haps.  As usual, I like Kate’s writing and historical research as much as the patterns.  In this book, unlike her earlier ones, she has collaborated with a number of designers.  My favorite is the Nut-Hap, designed by Jen Arnall-Culliford; I think it is a really clever design:

© Kate Davies Designs

The Vogue Knitting Early Fall 2016 edition came out a few weeks ago, and I really loved two of the patterns.  First, the #3 Mock Turtleneck Shell by Melissa Leapman.  What is not to like about this?  I would make it in red – really rich red.

© SoHo Publishing

The #22 Hooded Cable Vest by Yoko Hatta also appeals.  This has really classy lines but still a touch of fun.  I can imagine wearing this all the time:

© SoHo Publishing

 

© SoHo Publishing

I used to have a subscription to Interweave Knits, but for a long time it went downhill (so I thought) and I cancelled my subscription.  Lately, it seems to be getting stronger. I tried to pick just one favorite from this edition, but couldn’t do it, so will show you two.  I am always interested in men’s patterns, and I have been searching for good men’s vest patterns (more on this in a later post), so I was extremely pleased to see the Fall River Vest by Mary Jane Mucklestone.  I love it!

© Interweave Knits 2016

I have featured Linda Marveng in a previous Pattern Radar post.  She continues to churn out some impressive patterns.  Her contribution to Interweave Knits is a very chic piece, the Kathe Cardigan.  I like it more every time I look at it.

© Interweave Knits 2016

(I was planning on also featuring another Linda Marveng design, a gorgeous reversible tunic called Hel, but just realised that it is still being test knit and hasn’t been released yet. This means that there is lots of good stuff still to come from Linda’s desk, so stay tuned.)

I had never heard of Gudrun Georges when I saw her design, the Amy Polo.  I will certainly put her on radar now.  I love this sport-weight polo, which is both classic and cute and has great details:

© Gudrun Georges

Baby sweaters don’t normally catch my eye; perhaps now that I’ve knit one again, they have been raised a bit in my consciousness.  I really like Conifer, by Ella Austin, otherwise known as BomBella:

© Emma Solley

I have been noticing many beautiful Nordic designs and designers lately.  I was struck by the design, Superfritt etter Fana by Sidsel J. Høivik.  This pattern is apparently available in kit form from her website.  I was not familiar with Sidsel’s work, but will keep an eye on her.  Oslo seems to be a very happening place for knitting design.

© Sidsel J. Høivik

This seems like a very short Pattern Radar post to me.   I think once my knitting mojo comes back full force, and the fall sets in, I will once again get overwhelmed by new patterns.  In the meantime, these gorgeous designs are enough to keep your needles busy for a long time.

 

Pattern Radar July 2015

It’s been a while since my last Pattern Radar post.  These are semi-regular posts in which I highlight patterns which have caught my attention.  Normally, when I write one of these, my “favorites” box is overfilling with new and interesting patterns; this time not so much.   In any case, here are the ones that have lately caught my eye.

I really love the geometry in this cabled pullover called Allium by Nick Atkinson for Yarn Stories:

© Nick Atkinson

Combined with the lovely green (I am a sucker for green), this one definitely sparked my interest.  I think this would look fabulous on a very shapely person, and would also impart a beautiful silhouette to a slim, willowy person.

I like the drape and swinginess (is that a word?) of this lovely pullover by Maria Chiba:

© Fairmount Fibers

I like the ease of it, and can imagine wearing it in a pale shimmery silky grey, on a breezy summer evening, while sipping prosecco.  Called Oxidar, you can find it here.

I adore Shifter by Julia Gunther:

© Julia Günther

I must be really attracted to this kind of shaping with ribbing; you can see it in the lovely Audrey which I knit for my daughter Emma, and also in the shapings of the ribbing for my Escher cardigan.  I think this example is very sophisticated but also casual and fun at the same time.  I would even overcome my zipper trepidation to knit this pullover.

I have a fondness for classics, and this one really does it for me:

© Knitscene/Harper Point

This is the Hyannis Port Pullover by Cecily Glowik MacDonald from Knitscene Fall 2015.  I think it is beautifully designed and proportioned; I would wear this all the time if I had it.  I also love the styling and the photo shoot.  (We should ask: Why aren’t there more women of colour in knitting pattern releases?  Designers and pattern producers seem to be labouring under the impression that we want all sweaters displayed on young, slim, white women.)  Here is another fabulous photo from this shoot:

© Knitscene/Harper Point

I don’t think of myself as a poncho person (I remember vividly too many hideous ponchos from the 70s), but I must admit that I find this one kind of cute:

© Anders Schønnemann

It really has a casual chic vibe to it.  It is called Ella, and is designed by Lene Holme Samsøe and published in Perfectly Feminine Knits.

Here is another one from Yarn Stories; it is called Sloop and designed by Amada Crawford:

© Amanda Crawford

I have some very pretty grey silk merino blend yarn in my stash that would work really well for this.  I am considering knitting up a swatch and seeing if Emma is interested.  This is another example of casual chic, with good details and classic lines.

I am usually not a fan of triangular shawls, but this one is really striking.  I also completely love the photo, which is pretty much perfect:

© Justyna Lorkowska

The pattern is called Seiklus Shawlette and it is designed by Justyna Lorkowska.  It is pretty irresistable in this grey and would also be lovely in black (though it would take a brave knitter – or one with much younger eyes – to knit this in black).

I love the designs of Tin Can Knits, the designing duo otherwise known as Alexa Ludeman and Emily Wessel.  They recently both gave birth to baby boys and released a pattern collection of adorable baby knits.  I can usually resist baby knits, but this pattern really stands out.  I would invent a baby to knit Peanut:

© Tin Can Knits

And while we are on the topic of kids, Kate Davies and Jen Arnall-Culliford recently released some down-sized versions of their adult sweaters, Bluebells and Bruton.  Called Wee Bluebells and Wee Bruton, they can be found in Cross Country Knitting, Volume Two.

© Cross Country Knitting

For some wonderful photos, and close-ups of the sweaters themselves, I recommend you read Kate’s post (actually, I recommend you read all of Kate’s posts – I never miss one).

That’s it for this edition of Pattern Radar.  Happy knitting, everyone!

Knit one, crochet two

I am going to come right out and say this:  I like knitting much more than crochet.  Now, please, dear Readers, hold off on the lynch mobs.  I’ve seen tons of beautiful crochet, and I’ve also seen tons of horrid knitting.  And, back in the day, I dabbled in crochet myself, even once making a beautiful filigree blouse in fine white cotton.  It must be said, however, that both aesthetically and as a creative process, I prefer knitting.

A few months ago, when I had the very good fortune to go to the Headquarters of Rowan Yarns in Holmsfirth (you can read about it here), I was given a goodie bag.  In that goodie bag was a new pattern collection by the fabulous Marie Wallin, called Filigree, Collection 3, subtitled “10 crochet designs for women by Marie Wallin”.  Five of these designs are made by combining knitting with crochet.  And I mean this not in the sense that I normally see, in which a knitted sweater has a crocheted edging, but rather in the sense that for each of these patterns, both knitting and crochet feature as a design element.  The combination of the two modalities is an intrinsic part of the pattern.  And I have to tell you, these designs are gorgeous!

I’ll show you my three favorites here.  To look at the others (including the five crochet patterns which are also lovely) go the the Ravelry page for this booklet, or to the Rowan  page.  Here is a lovely cardigan pattern called Buttercup:

© Marie Wallin, 2015

I tink this is a charming mix of sweet and sexy.  I can imagine this styled so many ways. It’s a nearly perfect summer cardigan.  Even so, I must admit to liking the next one even more.  Here is Anemone:

© Marie Wallin, 2015

I love how this is so crisp and sharp but still girly and pretty.  Regular readers will know that I have a thing for patterns that are architectural – as soon as I saw this pattern I thought about iron filigree bridges.

In order to demonstrate to you what I meant I did a search for “iron filigree bridge” and found this lovely photo:

This is a photo of the Iron Bridge at Coalbrookdale, which was built in 1779 and is “the oldest surviving cast iron bridge in the world.”  The photo and quote come from a post from the blog The Happy Pontist: A blog from the UK about Bridges and Bridge Design.  I have only read this one post, but you can bet that I will be giving this blog a serious look.  Many years ago, I used to work on Wall Street and live in Brooklyn and I would walk across the Brooklyn Bridge to get to work.  I just love a beautifully designed bridge.

Is it just me or can you see this too?  Buttercup is, well, buttercup-y – all soft and flowery, but Anemone is sharp and edgy with  hard edges, but incorporated into a soft package.  I love it.

I think my favorite, however, is this one, Tulip:

The use of crochet in this pattern feels very innovative to me; it is interesting and fresh.  The Knit rowan site writes:

Designed by Marie Wallin using our beautiful soft matt cotton yarn Summerlite 4ply (cotton), the main section of this top is knitted in a cable and lace stitch with an unusual welt section made up of double crochet strips.

If you can, zoom in on the crocheted section.  It is really a cool design.  The design makes me think of a modern, crisp take on a 1920s flapper dress.

I love these patterns.  In fact, I love them enough to overcome my crochet bias.  I am thinking that only the amazing Marie Wallin could do that!

Pattern Radar – August 2014

Let’s look at the facts: (1) I have no new knitting to show you, and (2) I really, really should be writing a paper for business school right this minute.  What does this mean?  Well, in the procrastinator’s universe it means that it is time to bring you a new Pattern Radar post!  This is where I show you which patterns have caught my eye over the past month or two.

Linda Marveng has been getting lots of notice in knitting circles lately.  This popped up on my screen just this week:

© Eivind Røhne

This is the Cable Round Sweater.  The  cables are framed by rib which gives it more shape than a traditional cabled garment, and the cowl is a separate piece which adds flexibility.  It is one of four beautiful sweaters that Linda designed for the September edition of Made by Me, a Norwegian-language knitting magazine.  The other three are much more tailored and striking, but this one appeals to me.   If you don’t read Norwegian, don’t fret; she will release the English-language patterns in the Fall.

Alexis Winslow has a new book out called Graphic Knits.  I love the Laszlo Cardigan (Ravelry link is here):

© Joe Hancock

I love the bold lines, the graphic pop of black-on-white, and the slightly-oversized coziness of it.  I’m particularly fond of the sleeves – those long rows of buttons on rib really grabbed my attention.

A number of years ago, I took a course from Shirley Paden on Sweater Design (at Knit Nation in London).  It was a small class, with only a handful of students.  One of them was Signe Strømgaard who designs beautiful garments for children.  Check out Signe’s work at Strik til Banditter  – the designs are amazing; she is doing some of the most creative work in children’s design right now. I really love this new pattern:

© Signe Strømgaard

This is called Sesse and I think it’s pretty much perfect.  Signe has this pattern, along with 10 others, available in English in an e-book which can be purchased on the Ravelry link here.

Jasna Kaludjerovic is a new-to-me designer, who really grabbed my attention this month with this number:

© Jasmin Knits

This is the Lilynet dress and matching hat.  I absolutely love this retro 60s/70s look.  In fact, this dress reminds me very much of a dress my mother knit in the 1960s which I reported on in this blog post.  I will definitely be keeping my eye on Jana’s designs.

As you may know, I always keep my eye out for great menswear patterns.  The latest one to capture my attention is Tilt, by Lisa Richardson.  I love Lisa’s work (though we shall not mention the Richardson-designed wrap-that-never-ends that has been on my needles for a year now).

© Rowan Yarns, 2014

I love that the incredibly rich colourwork is made by knitting fairisle with just two different yarns, one of them variegated; thus it looks more complicated than it actually is.  Doug really likes this one, too, so it has definitely made its way into my queue.

I absolutely should not be looking at patterns for endless long wraps with tons of intricate colourwork (see above reference to unmentionable wrap).  I cannot deny being very attracted to this one however:

© Marie Wallin, 2014

The photo is atmospheric and only gives a hint of the fabulousness of this Mint Wrap, designed by Marie Wallin and published by Rowan in Windswept: Collection One.  Repeat after me:  I will resist; I will resist.

However, I may be unable to resist another Marie Wallin pattern, Parsley,  from the same publication:

© Marie Wallin, 2014

Again, the photo is a bit dark and atmospheric and doesn’t capture all of the colour and beauty of this design.  I absolutely adore the contrast of the fairisle patterned bands with the plaid bands, and the unusual, almost jarring, colour choices.  Love, love, love!

I have a particular fondness for garments, but sometimes accessories catch my eye.  I love this cowl pattern, Fusuma, designed by Kirsten Johnstone:

© Kirsten Johnstone

Kirsten was inspired by Japanese sliding screens and I think she nailed it.  I love the spare, stark lines.

Akebia is sweet:

© Twist Collective

I love Kate Gilbert’s designs, and this one, from the Twist Collective, hits all of the right buttons for me.  It is charming and looks so wearable – I can really see myself  wearing this one everywhere.  And that little peek of vibrant colour at the hems gives it just enough of an edge to keep it from being too sweet, if you know what I mean.

And to end with a bit of fun, here is Big Red:

© Rowan Yarns, 2014

This super chunky cardigan is designed by Josh Bennett for his Rowan Designer Collection: What do you become at night?  The collection is based on a Little Red Riding Hood theme, heavy on the wolf motif.  This is knit with Rowan Cocoon held double, which rules it out for me: if I were to wear it I’d end up like the witch in Hansel and Gretel instead (roasted, that is).  I love Josh Bennett, who is equally at ease designing classics and over-the-top pieces, and clearly has a sense of fun.

That’s it for Pattern Radar!  Even the best procrastination must come to an end.