Kaffe Fassett at Mottisfont

Last weekend we drove down to Mottisfont, a National Trust property in Hampshire.  We had two goals: first, to walk through the beautiful walled gardens and grounds of this lovely country estate on a crisp autumn day, and second, to see an exhibit of Kaffe Fasset’s work.  It was a win-win!

The exhibit was arranged around colours, with each of five rooms organised around a colour theme.  It showcased some of Kaffe’s work in knitting, tapestry and quilting, from a career spanning 50 years.  Here I am standing in a corner of the Yellow room.  The chair, covered in needlepoint in a shell motif, is really spectacular.

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Here is a closeup of the waistcoat on the wall behind me.

I especially liked the pink room, which featured, among other things, two fantastic quilts in shades of pinks and oranges.

Doug snapped the below shot of me getting up close to examine the top stitching on one of the quilts.  As you can see, I match the quilt!  (I am wearing my Laelia cardigan – blogged here – knit in a fantastic hand-dyed orange silk yarn by The Uncommon Thread, and carrying a Ted Baker handbag in a lovely shade of fucshia.)

There is some beautiful knitting on display.  Here are a few examples:

And some lovely juxtapositions of classic Kaffe patterns:

Mottisfont was originally founded as an Augustinian priory in 1201.  It has been transformed many times over the centuries, and is now primarily associated with Maud Russell who, along with her husband, purchased the property in 1934.  Maud’s diaries, written during the World War II period, were published last year.  The National Trust has done a very nice job of bringing Maud to life – through her witty and observant diary entries and through her fashion and decorating flair.

Here is a touch I liked: a basket of knitting in one of the drawing rooms, with an invitation to sit and knit.  These lovely girls were clearly having fun (and kindly consented to have their photo taken):

The gardens are beautiful, with big spacious lawns and lots of hidden corners.

I especially liked the walled gardens.  They have the formal structures you would expect in an English walled garden:

while still being delightfully wild and slightly unkempt:

Kaffe’s exhibit will be at Mottisfont until January 14, 2018.  If you go, you can enjoy a fat frog in the green room:

Or you can drool at the magnificent fruit and vegetable themed tapestries, such as this needlepoint chair:

Or maybe just enjoy the juxtapositions of knitted items from some of Kaffe’s classic knitting designs. I especially like Doug’s photo below showing a detail from a brightly coloured child’s sweater on top of a large knitted shawl.


I hope that you are enjoying some colour this weekend!

Failure, resilience, and knitting

I have been thinking a lot this week about the nature of resiliency.  Why?  As Programme Director for a global MBA, it pops up a lot on the job.  It turns out that resilience is important:  it is a key quality of effective leaders and managers, it is vital for companies trying to survive in fast-changing business and technological environments, and it is an important factor in whether students will flourish and grow (not to mention graduate) during their MBA studies.  Given how crucial resilience is, we might think about how one develops it.  How does one learn to be resilient?  Well, it often derives from failure.

I once read an essay written by a professor at an Ivy League university who had served for decades on admission panels. He commented that these elite schools have a tendency to accept students who have never failed at anything.  These students arrive at university and suddenly find themselves in a high-stress environment filled with high achievers who have always been at the top of their class. The point of the essay was that these students often turn out to have very poor resiliency; one little setback and they crack.  A history of continual success can lead to perfectionism and unrealistic expectations.  On the other hand, exposure to failure often leads to resiliency and the development of skills which allow you to pick yourself up and flourish. This professor speculated that accepting students who had overcome barriers or difficulties would be a better barometer of success.

One of the things which I try to impart to students is that failure can be good; that success is built upon learning from mistakes.  This is true of business and true of design – a good design usually develops by prototyping, an iterative process which often consists of getting things wrong in order to get them right.  Many successful companies develop this way too, starting small and building on mistakes, a type of constructive prototyping analogous to the design process.  I try to give students skills to help them become more adaptive and more resilient; I encourage them, in the safe space of the classroom, to push past their comfort zones and embrace risk.

Why am I blabbing on about resiliency and failure in my knitting blog?  Well, we knitters can tell you people one or two things about failure! Knitters positively crow about their failures!  Ripping and frogging (that is, pulling out your work by unravelling it) is almost a badge of honour.  We learn by doing, and often that means learning by doing it wrong. It helps, of course, that knitting is so intrinsically unravel-able (I made up that word!): if you don’t mind the loss of time and effort, almost everything in knitting is fixable by ripping it out and starting again.

Not only are we knitters experts at failure as a part of the learning process, but we do it with a sense of humour! If you don’t believe me, you can look at some of my posts detailing failed efforts, like How to be stupid at knitting, How not to block a sweater, and Stupidity strikes again!

Business consultants, self-help gurus, professional coaches – even futurologists – make a fortune by teaching people to be resilient.  We knitters have no need to pay for such advice.  We learn it the natural way!

Knitters of the world, stand up straight and proud, and repeat after me:

“I AM A KNITTER!

I LAUGH IN THE FACE OF FAILURE!

RESILIENCE IS MY MIDDLE NAME!”

In the thick of it

As a knitter it is very important to take care of your equipment.  And what piece of equipment could be more important than your hands? As someone who has a history of hand and wrist problems, including repetitive stress injuries, I am always trying to be cognizant of maintaining good practices for hand health. I think that it is better for your hands to be alternating between different kinds of knitting, and in particular between different weights of yarn and needles. In that vein, I decided to cast on something using a thick yarn.

I tend to prefer knitting with lighter weights, but I had bought this yarn last fall with the intention of making a quick Christmas gift, and then never got around to it. It is incredibly soft and is in a very vibrant and saturated purple.  I love how the chunky yarn in a heavily cabled fabric makes such great texture – it results in beautiful hills and valleys bursting with light and shadow.

The yarn is Whitfell Chunky by Eden Cottage Yarns, a 100% baby alpaca in the colourway Damson.  The pattern is the Umbra cowl designed by Louise Zass-Bangham. I tried this cowl on at a wool fair last year, made with this yarn, and it was wonderfully cozy; I bought some on the spot.

Do you know the other advantage of knitting with chunky yarn? It takes no time to finish something!

This cowl took a few short evenings of knitting. The pattern is intuitive and doesn’t require much attention.  It is good TV knitting, or carrying-on-a-conversation knitting. The only difficult part was grafting it together.  Here I will let you in on a secret: I suck at Kitchener stitch!  Really, this is on my list of knitting techniques that need major work.  I inevitably end up with more stitches on one needle that the other. (Many more than the one stitch you would expect.)  If I stop concentrating for even a second, something goes wrong.  Here you can see how lousy I am at Kitchener; look at this terrible join:

Oh my! Quelle horreur! Am I going to let my knitting perfectionism take control and force me to rip it out and re-graft, and then re-rip it out and re-re-graft, and then re-re-re-rip it out, etc. etc? No, I’m not.  It’s staying this way! A New Kelly is evolving!

Having had a week in the thick of it (knitting-wise and otherwise in fact), I will return to my colourwork fingering-weight jacket with happier hands.  I hope you are safe and dry this weekend.