Highland Rogue Cowl

In England we have four seasons; sometimes all in the same day.  Today we have had a bit of everything – sun, clouds, wind, rain, even hail.  It was a perfect day to nestle into the cozy warmth of my new cowl.

20190504_103548.jpg

This is the Highland Rogue cowl, designed by Kate Davies, and knitted with Kate’s 100% wool sportweight yarn, Buachaille.  I love this yarn (I used it to knit three pairs of mitts, which you can see here, here, and here).  It is a lovely, plump yarn that takes beautifully to both colourwork and texture, and it feels great on the hand.

20190504_111012.jpg

I have written a few posts about this cowl; it has been on my needles since September.  The pattern is not an easy one to “read” on the needles; I had to pay attention to the pattern on every row.  This is odd given that it is only a 6-row repeat.  Nonetheless, I repeated the pattern in my head over and over again while knitting this.  (Perhaps this has more to say about my attention span than the pattern?)  While this meant it was not mindless knitting, you can see that the resulting texture is simply gorgeous:

20190504_145050-1.jpg

I have used this lovely orange shade called Highland Coo.  It is a cool orange, with no yellow tones, and a strong, rich hue that looks good in sun and shade.

20190504_103146.jpg

I especially like the way it looks against the blues and bold patterns of my Sofi cardigan (which is blogged here).  These photos were taken today in Henley-on-Thames, which was a riot of blues, purples, and greens, all of which set off this pop of orange. I work and shop in Henley, so I am here nearly every day, and I am still amazed at what a lovely town it is.

20190504_102044.jpg

I highly recommend this pattern.  If you can manage it, try to knit it with the Buachaille – you won’t regret it!

20190504_102647.jpg

I finished knitting this a few weeks ago, but couldn’t get it photographed until today.  I am glad I waited, as it has been picture perfect (despite the hail).  The bluebells are out in England at the moment, as is the wisteria, and everything is bursting with colour.

20190504_103043.jpg

It’s a long weekend here, and I’ve got something new on the needles.  Good knitting, everyone!

It’s all in the finishing: Hanne Falkenberg’s Sofi Combi jacket

I am so happy to have some photos of my newest hand-knit, a very chic, boxy jacket with a pattern that pops.

20190420_103806.jpg

The pattern is designed by Hanne Falkenberg, and is called the Sofi Combi.  “Combi” refers to the fact that it is knitted with two different yarns.  The dark blue is a tweedy wool and the soft green is a linen blend.  The two are combined in a slip stitch pattern that has an art deco feel to it.  The details of the pattern are fantastic. Notice the lovely details at the shoulder, and the way the zig zags undulate at the back of the garment:

20190420_104600.jpg

And check out the lovely faux seam at the sides:

20190420_103846.jpg

You may also notice the (seemingly) miles of seed stitch knitted with tiny needles for the sleeves.  Those sleeves were an undertaking, especially since I knitted 2.5 of them (the first sleeve was a bit baggy, so I ripped it and then did some maths and some re-designing of the sleeve cap and tweaked the decreases to get a slimmer, smoother fit.)

I have blogged about this jacket extensively over the (dare I say it?) almost TWO YEARS that I have been working on it.  (Of course, in that time, I have knitted many other projects.)  Now that I am actually wearing this, however, I am kicking myself for not having finished it straight away.  You can see some of my previous posts on this garment under the tag Hanne Falkenberg here.

The finishing details on this garment are amazing and I have learned so much from making it.  The edgings on the fronts are picked up and knit in reverse stockinette stitch, which allows the edge to roll to the back. The left photo below shows the pick up edge from the inside of the front.  Along the pick up edge, you can see the edging is rolling over towards the back.  The edging is then pulled over the picked up edge and sewn down, to make a beautiful, neat edge, shown on the right.

The neck is finished the same way.  I am so thrilled with the finishing details on this jacket.  I feel that they give a very professional look to the garment.

20190420_104632.jpg

I have knitted two of Hanne Falkenberg’s designs previously (see my post A Tale of Two Falkenbergs for details).  You can only buy her patterns in a kit, with the yarn that she provides, but I have found them to be well worth the purchase.  The yarns are beautiful and Hanne’s colour sense is lovely; she often puts together colours that are surprising, but they always work.  They are intellectually challenging knits (in a good way) and I have learned something from each of them.

The weather has cooperated; we are having an unprecedented warm, sunny Easter weekend in England.  After posing for the above photos, I ended up knitting in the garden, and Doug thought it deserved another photo:

20190420_105238.jpg

I am not always good with pairing patterns with patterns and so I am surprised by how much I like this jacket with this top:

20190420_112642.jpg

When I read a blog post about a sweater, I always want to see the reverse side.  So, for those knitters like me, here you can see that it is a truly lovely jacket inside and out:

20190420_112545.jpg

Now, I am headed back to my garden to take advantage of a sunny weekend (and hoepfully to finish another project).  Have a lovely weekend!

20190420_104651.jpg

Kelly 1, Yarn 0

Yesterday, I finished all of the knitting on my Hanne Falkenburg Sofi Combi jacket!

What’s left to do?

  1. Sew the underarm and sleeve seams.
  2. Fold over and sew down the front edgings.
  3. Fold over and sew down the neck edgings.
  4. Weave in threads.
  5. Wash and block.
  6. Wear!

Here is how much blue yarn I have left after finishing the knitting:

20190413_120140.jpg

Yes, I have been playing a nail-biting game of yarn chicken over the last few weeks.  It was down to the wire with this one.  As it is, I will have to unravel my swatch to have enough yarn to do the sewing.  Final score: Kelly 1, Yarn 0.

Pattern Radar: I’ll have some texture with that, please

The patterns that have caught my eye this week have played around with texture.  I’ve been fascinated by colour and stranded knitting lately, but texture has always been my catnip.  Here are some designs which are doing good things with texture, from a little taste to allover patterning.

Olive Sweater by Jemima Bicknell:

Olive_6_medium2

© Jemima Bicknell

This sweater is from the book, Art Deco Knits: Creating a hand-knit wardrobe inspired by the 1920s – 1930s by Jemima Bicknell.  I love Art Deco, in architecture, in jewellery, and in fashion.  The cables on this pullover are just fantastic.  Set against the simple shape of the sweater, they pop!  It reminds me in equal parts of a beautiful art deco building I lived near in Potsdam, and of The Jetsons, a “futuristic” animated TV show from my youth.  (Now I’ve dated myself.)  I think this has a cute, vintage feel to it.

Shifting Sands Pullover by Norah Gaughan

DSC_5578_medium2

© Norah Gaughan

I’m not surprised by this design making the list, since Norah Gaughan is the queen of texture.  The shape of this one is very simple; in fact it is rather shapeless and boxy (which happens to be big news in the knitting world right now).  But the asymetrical cables are mesmerising, as they shift and flow across the space.  If you’ve ever been in shifting sand, you can definitely see how this pullover got its name.

Nisaba by Asja Janeczek:

korzenie_008_medium2

© Whiteberry

This cowl pattern has a rich, luscious texture.  It is named after the Sumerian goddess of grain and harvest and was inspired by memories of traipsing through grain fields.  This first attracted my attention with its gorgeous juxtaposition between the three dimensional, undulating cable patterns and the flat sections worked in garter stitch with short row shaping.  Having a daughter who studies ancient Sumerian, the name kept my attention focused.

Firenze by Irina Anikeeva

9_medium2

© Irina Anikeeva

This simple pullover with a great cabled yoke jumped out at me.  I love that it is in sportweight rather than worsted, and looks both sophisticated and casual.  I think this could be dressed up or down, and would look great in neutrals or jewel tones.  (I am thinking about a rich yellow-gold.)  It’s knit top-down with the increases ingeniously incorporated into the cables.  This would be a quick and satisfying knit.

The Beauceron by Designs by Delz

P3200652-1_medium2

© Designs by Delz

I am always on the lookout for great menswear.  This is only the second pattern published (on Ravelry) by Vincent, the designer behind Designs by Delz.  I will definitely be keeping an eye on his work.  One might think that I am squeaking by here on the “texture” label, but in fact the colourwork on the yoke of this pullover combines slip stitches and purls, resulting in a beautiful subtle texture that highlights the lovely colourwork.  While I classified this as menswear, it is a great unisex piece; see the pattern page for an example worn by a woman.

I’m still chugging along on the Falkenburg jacket – sleeves in seed stitch with size 2 needles take a very long time to knit.  I have about 6 inches of the second sleeve still to go.  Have a good weekend and don’t forget to add some texture to your next order!

(By the way, this is my 400th post!  Who would have guessed I would still be doing this?)

Numbers don’t lie

I have made some progress on my Match and Move shawl.  It is very mindless, easy knitting that nonetheless keeps one interested, particularly as the stripes introduce beautiful transitions.

20190331_182443.jpg

However, there is one big problem.  The shawl has a construction in two parts.  The first part increases on both sides, widening out from the narrow point, and the second part changes up the pattern of increases and decreases to give the shawl its distinctive shape.

kpic

© Martina Behm

Martina Behm clearly states in the instructions that you can make the first part as long or as short as you wish, but you must not use up more than one third of each colour of yarn before transitioning to Part 2.  Easy peasy, no?

But what happens when you are knitting in a hotel room on the other side of the globe, and have no scale to weigh your yarn?  And furthermore, the shawl is looking very small to you, even if you are too lazy to transfer it off the needle and make a proper measurement?  Wouldn’t you be tempted to add one more stripe before swiching to Part 2?

20190331_182437.jpg

The pattern calls for two colours, and each stripe is 48 rows long (or 24 garter ridges).  Because I am knitting with three colours, I made each stripe 32 rows long (or 16 garter ridges). In the original pattern, the pattern switches from Part 1 to Part 2 after the fourth stripe (two of each colour), so I should have switched after the 6th stripe (two of each colour). This would have been after the grey stripe on the bottom of the above photo.  As you can see, I switched after the green stripe (which was the third stripe in green).

I argued with myself that (1) since I started the shawl with green, I should be able to squeeze an extra stripe out of the green despite what the instructions very clearly state, (2) I was probably underestimating the number of grams remaining and should therefore just carry on blithely knitting in the hopes that it all works out in the end, and (3) the designer was probably being overly cautious in her calculations so that if anyone were stupid enough to play yarn chicken (AHEM!) they would still come out okay.

To make matters worse, after I got home and had access to my scale, I continued to delude myself to the fact that I could squeeze out the stripes to finish the pattern, even when the numbers clearly didn’t support this!  Why?  Because (1) I am delusional, and (2) surely numbers lie.

Now, sadly, I have come to the conclusion that numbers don’t lie.  Ripping to commence soon.

Pattern Radar: Fusion Knitting

I am a real fan of fusion cooking.  It’s about taking the best of two or more traditional cuisines and combining them into a single dish.  As you may know, I have become very interested in Fairisle knitting, and indeed in stranded knitting techniques in general.  I have spent many hours pouring over patterns and projects and admiring the use of colour and pattern and technique.  One of the things that has been catching my eye lately, however, is what I am going to call Fusion Knitting – garments that are created by combining traditional knitting styles and techniques.

Here is an example:

fusion knitting 2

© Jennifer Beale

This design, called Heart’s Content, is by the Canadian designer Jennifer Beale. She has only released eight patterns so far (on Ravelry here), but each combines different knitting styles in interesting ways.  Heart’s Content is a basic top-down, in-the-round, knitted tee, in which the lace pattern at the top and shoulders transitions to stranded knitting for the body of the garment.  Not only is it pretty and imminently wearable but it has an advantage for someone who is new to stranded knitting: no steeks!

Another example of her work is the design called Joe Batt’s Arm:

fusion knitting 1

© Jennifer Beale

I really love her poetic description of this garment (from the Ravelry pattern page):

Joe Batt’s Arm is a structured, seamed cable knit with textured fair isle banding. The fair isle bands border the eyelet cables the same way that a bright blue night encloses the Fogo Island Inn with all of its light on. At the same time, the raglan shoulders lend a sporty quality to the pullover.

I dare you to read that sentence and not to want to search for the Fogo Island Inn.  I already did and I want to go there RIGHT THIS MINUTE!  Check out the photo here.  I love that she mentions her inspiration for this, as it really clicks once you’ve seen it.  This is a very intriguing and striking garment, and I imagine it would be both fun and challenging to knit.

Another knitter who is exploring the fusion of different knitting styles is the Japanese designer Junko Okamoto.  Here is her design, Astrid:

fusion knitting 3

© Junko Okamoto

I love this pullover which combines a beautiful muted stranded pattern with cabled sleeves.  Like Heart’s Content above, this is an example of a stranded garment that doesn’t need steeking.  Astrid also has a loose, billowy shape – a new profile that is in counterpoint to the fitted garments of recent years, and has been championed by a crop of new (to me at least) Japanese designers of handknitting patterns.  It is a one-size-fits-all garment designed to be voluminous.  (I am eagerly awaiting projects of this pattern on knitters of various sizes so I can evaluate its drape and fit.)

I’m not sure whether to call it fusion knitting as such, but I am also really caught up by Junko’s Bouquet Sweater and Bouquet Scarf, both shown in the photo below:

fusion knitting 4

© Junko Okamoto

If you look really carefully at the photos (go check out the Ravelry project pages), you can see the very interesting mix of techniques, including stranding the yarn on both the wrong and on the right side to create this ethereal, three-dimensional patterning that looks like moss on the forest floor.

I am totally captivated by these examples of Fusion Knitting and I would love to find other designers also pushing the boundaries and doing interesting juxtapositions of traditional styles and techniques.  If you know of any, please mention them in the comments!

Sunshine and knitting are restorative

I’ve been working hard since I arrived in Johannesburg and haven’t had much of a chance to get any knitting done.  Truth be told, I am quite worn out. But today is Sunday and I am not teaching, and after a cloudy start the sun came out.  I cast on for the Match & Move shawl by Martina Behm.  I’m still not convinced that I like triangular shawls, but I am sure enjoying knitting this:

20190309_102627.jpg

I sat out on a lounger by the pool, put my head phones in and an audio book on (a re-read of Shards of Honor by Lois McMaster Bujold) and had a restorative afternoon.  I am using yarn from a kit I bought many years ago from The Plucky Knitter.  It has three skeins of Primo Fingering (75% wool, 20% cashmere, and 5% nylon) in the colours En Vogue, Faded Grandeur and Elegant Elephant.  The colours are beautiful and rich:

20190309_102704.jpg

The photos don’t really do them justice, especially when taken in the bright African light.  I have very little bandwidth here (I have tried to crop the top photo at least five times unsuccessfully) so I am going to go back to my knitting and book and eke out a bit more sunshine while I can.  I hope that you enjoy some time to knit this weekend, in the sun or not.