Knitting the Hirne cardigan without a steek

I’ve recently knitted two versions of the Hirne cardigan, a lovely pattern designed by Kate Davies (I blogged about them here and here). I knitted the first in Kate’s own yarn, Ooskit, a beautiful, soft, undyed wool. For the second, I used two strands of silk mohair in a gorgeous coral-red held together. Below you can see both versions:

The pattern is written so that the cardigan is knitted in the round with a steek, and I slightly tweaked the pattern so that I could knit it without the steek. A reader, Robyn, left a comment on the blog asking me to share how I did that. I wrote a reply to her comment and since then I’ve received a number of messages from knitters saying thank you for the notes. Doug commented that perhaps my notes should be put in the text of a blog post, rather than buried in the comments. I decided that this is a great idea (in part because I have NOT KNITTED A SINGLE STITCH IN TWO WEEKS and thus have nothing else to write about here). So here is my reply, repeated in whole, in case anyone is interested.

Hi Robyn! The pattern has you knit this cardigan in the round and then steek it (cut the fabric). I have steeked before and don’t find it awful (although still fairly nerve-wracking) but for this pattern, I felt that it would be easy enough to knit it back and forth. The pattern calls for 9 steek stitches, these are extra stitches which are cut and trimmed away in the process of making the steek. If you are knitting back and forth, you don’t need to add these extra 9 stitches, so when you cast on, you want to have the total number of stitches required for your size, minus 9 stitches. Then, instead of joining in the round, I started the ribbing right away, k2,p2 all the way across, ending with k2. I then followed all instruction as is, ignoring the steek stitches and knitting back and forth.

I knitted both sleeves separately, in the round, and then joined the sleeves into the body as indicated in the pattern. When it was time to start the lace pattern on the yoke, I put stitch markers between every repeat for ease – remember that you won’t be working steek stitches at beginning or end of each row. If you were knitting in the round, then you would read each row of the chart from right to left. Since you will be knitting back and forth, all odd-number rows (right side facing) are worked by reading the chart from right to left, and all even numbered rows are worked by reading the chart from left to right AND reversing the key, so you will be purling those stitches marked knit and knitting the stitches marked purl. This sounds much harder than it is, as there is very little pattern worked on the reverse rows which are mostly just purled. You will be able to read the knitting pretty easily, I think.

The only thing I had to get my head around was how to make sure that the decreases leaned the right way, since they are worked on the purl rows. When it calls for a ssk (which is a left-leaning decrease) you will need to ssp and when it calls for a k2tog (which is a right-leaning decrease) you will need to do a p2tog (I found the ssp sort of difficult to handle, so I ended up substituting with a p2togtbl – purl 2 together through the back loop). SO, if you have already purchased the pattern, and you look at row 24, you would p8, p2togtbl, k1, p2tog, p8, k1. Again, this is much easier than it sounds, and you can do a small swatch of the pattern first to make sure the decreases look good on the right side of the work.

Once the body of the sweater was done, I didn’t have to cut a steek; instead I just picked up the button band stitches as normal and worked the button bands.

I hope this makes sense. Kate’s patterns are usually really clear, and the engineering it takes to do this is pretty straight-forward. If you don’t feel super confident, I wouldn’t work this in mohair, as it is difficult to rip. If you have any troubles, feel free to contact me and ask questions. It may be easier to do on Ravelry, if you are on it – my username is kellydawn. If not, pop me a question here; I may be delayed in responding, but I will see it and get to it. Good luck!

How’s that? An instant post! As for more current knitting news, there is none. I am still struggling to find a new project. A number of you left good suggestions for summer tops on my last post, and I appreciate it. I hope that a new project will jump on my needles soon.

Keep on carrying on

A year ago this week, we got covid. On June 12th, Doug tested positive, on June 15th, he was taken by ambulance to the hospital, and on June 16th, I tested positive. The next few months were scary and rocky, and ever since then we have been slowly recovering. In reality, this means that some days I feel really good, and others I am really fatigued. It feels like we might be moving into a better stage though; my good days are getting more frequent and Doug is even better. In the meantime, we keep on carrying on.

Knitting is one of the areas where I am still affected. I tend to do most of my knitting in the evenings, and this year, I am often just too tired in the evenings to do anything, even something as relaxing as knitting. And when I do knit, I can’t put too much thinking effort into it. This means that I struggle to decide on new projects, cast-on something new, and especially, to read patterns. I think that the effort of working full-time at a demanding job takes up nearly all of my head space and energy right now (as it should, since it pays the bills) and I just need to go with the flow the rest of the time.

Since I finished my last project a few weeks ago, I can’t figure out what to cast on next. I’ve been doing a bit of swatching:

And I have once again pulled out the Koko Shawl. This is actually a really easy shawl to knit, so I am not sure why it is taking so long. I am knitting a few rows here and there. It’s starting to get long:

I am thinking of knitting a tee-shirt next, in a linen or cotton mix. Something super easy. I was planning on knitting Joni, below, and bought the yarn and pattern, but the pattern is 17 pages long, and my post-covid brain doesn’t want to read it.

© Natasja Hornby

Today I am looking at this kit to knit the Every Day Attitude Tee by Susanne Sommer:

image by Jonna Hietala © Knit With Attitude

If I could decide on which of the lovely colour combinations to pick, I might very well snap one up. What do you think? Should I go ahead and try to power through the 17 pages of pattern for Joni, even if my brain doesn’t want to? Should I grab one of these kits? Or do you have a suggestion for a really simple, non-taxing, but pretty, summer top for me to cast on?

Hirne 2: The one that pops!

I love my Hirne cardigan so much that I decided to knit another one. This time, I chose to knit with mohair, in a knock-your-socks-off glorious orange-y red! This cardigan pops!

In fact, it pops so much, that it is very difficult to capture in a photograph. Suffice it to say, if you saw it in real life, it would have you smiling. It’s hard to resist a good red!

Hirne is a fantastic pattern by Kate Davies. As with the last time, I knitted it flat (back and forth in one piece, rather than in the round and steeked). This is a fairly straight-forward modification.

I was worried that the textured pattern in the yoke, made with twisted stitches, wouldn’t show up in the mohiar, but it looks fantastic.

For comparison, below is my original Hirne, knitted in Kate Davies Ooskit yarn. It is a really lovely neutral knit, and I have been wearing it almost constantly since I finished it at the beginning of the year. (See my blog post on the first Hirne here.)

I love the way that you can make the same pattern twice and yet by experimenting with yarn and colour, you can make something unique.

I rarely knit the same pattern twice, and almost never with a garment. I am not sure that I have done so since I knit Audrey by Kim Hargreaves for myself and then for Emma over 10 years ago (see my posts here and here). One advantage of knitting the same pattern is that the project flew off the needles: it took me four months to knit the first Hirne and six weeks to knit this one!

For this version, I used 10 balls of Gepard Garn Kid Seta in shade 1008, which I purchased at Ulstedet in Copenhagen (blogged about here). I held the yarn double throughout.

I have always worn bright colours, especially red, and I gravitate more and more to them as I get older. They are really good at mood-boosting. I find that this red looks good with so many things in my wardrobe. I know it will get worn often.

It is amazingly light (it weighs in at under 250 ounces, or less than half a pound). This means it is just the right thing to throw in a suitcase. And for such a lightweight garment, it is surprisingly warm and cozy.

Its been a beautiful Bank Holiday Weekend here in England! I hope you have had some sunshine and maybe a pop of colour where you are.


Since I last posted here, Doug and I have had a lovely and much needed holiday in Sicily. Last year we cancelled all of our holiday plans after getting covid, so we were more than ready for a break. We flew to Catania and spent 3 days there before joining friends in a villa between Catania and Syracusa for a week. The weather was cooler and rainier than expected, but the trip was beautiful and fun and restorative.

For the first few days in Catania, Doug was still on the job, so to speak, simultaneously attending two conferences – one in Iran and one in Washington DC – from our hotel room in the old quarter of the city. In between exploring, I had a nice spot in front of the windows in which to knit:

Looking at my photos, it would seem that mostly we just ate a lot! As soon as we arrived, we found some great street food in the fish market, eating grilled seafood and mountainous piles of grilled artichokes served with lemon and salt, with glasses of the local wine. Yum!

We had a fantastic lunch at the Osteria Antica Marina, directly on the fish market:

We looked increasingly more relaxed at each successive meal:

Our B&B was just next door to the beautiful San Benedetto, a former Benedictine monastery:

Then we were off to the villa, the absolutely gorgeous Commenda di San Calogero. Our dear friends, Craig and Albert, rented the villa for a week and invited 18 friends to join them. This is the third time they have done so, and we have enjoyed it immensely each time, as much for the lively company as for the beautiful surroundings (I blogged about one of the previous trips here). The gardens were lusher than on our previous visits, and were just at their peak. Here are some of my photos of the Commenda:

There were some lovely spots to knit:

The above spot was so peaceful and pretty that I (almost) didn’t mind painstakingly ripping out six very, very long rows of mohair after making an exceedingly stupid mistake. See? I am even smiling while doing so.

We went on a couple of day trips, although fewer than on previous trips as we spent a lot of time just relaxing at the villa. I particularly enjoyed our day in Ragusa where we had a fantastic lunch, and enjoyed a walk through the town.

Of course, I must bow to the knitting blog mojo and report on the two handknits I am wearing above. The shawl is one that I photographed the last time I was in Sicily and blogged here; the blue tee shirt was finished late last summer and blogged here.

We all spent a day at the Planeta vineyard, having a tour, wine tasting, and wonderful al fresco lunch. (We may or may not have purchased a few cases of wine!)

This is the first time we have travelled like this without renting a car. This means that, instead of navigating (me) or driving (Doug), we got to be passengers and commune with fellow travellers:

On the last day, we drove up to Taormina. I would like to show you beautiful photos of the views, or of the fabulous Greek amphitheatre, but alas, it was cold and rainy and foggy. I rather like this photo, however:

We’ve been back a week, and in that time I have already flown to Helsinki on business and returned. But I can still close my eyes and imagine I am in Sicily.

Satisfying stripes

In a clear demonstration of my priorities right now (or perhaps my dubious time management), it took me less than five weeks to knit my colourful Stole from start to finish, and nearly three weeks to post about it once it was done.

I really whizzed through this project. I cast it on as I was about to fly to Johannesburg, as it seemed like the quintessential travel project – easy, lightweight, and no instructions, tape measures, stitch markers, or thinking needed.

I used seven skeins of Garthenor Preseli fingering weight 100% wool yarn, purchased from A Yarn Story, in the shades Raspberry, Koi, Tuscany, Baked Crimson, Sycamore, Marmalade & Quartz.

I bought the pattern for this, designed by Theresa Gaffey, in order to give credit to my inspiration, but in fact I didn’t even read the pattern. I cast on 386 stitches, knitted in 10×10 rib, with 3 stitch i-cord on either end. I used a US6/4mm needle, and blocked aggressively for a blocked gauge of 19×34. I didn’t use all of the yarn – I have about 10 grams of each colour left, enough to make a nice hat or mittens to match. I really like the way it turned out. Even the bees like it!

One of the things that is interesting about the use of bold stripes like this is how the shawl looks different depending on which orientation you have it (ie, which stripe is near your face). It also looks very different against different backgrounds. I’ve worn it here with both white and navy tops to demonstrate.

The yarn is lovely and so soft. I am definitely going to use it again. When it is knitted at this gauge it makes for a gloriously light but warm shawl.

A great fact about this construction: at the end, you can just run the threads through the channel of the i-cord edgings for super easy finishing. It took me less than five minutes to finish off all of the ends!

I may not be posting much, but never fear, I am still knitting. Currently I am making a cardigan in a beautiful pop of super bright coral-red mohair. I will be in Sicily next week and hope to get most of it knitted while I’m away. I’ll be sure to post a photo or two of me knitting under the Sicilian sun!

Pattern Radar: April 2023

I finished knitting and blocking a colourful shawl, but you will have to wait to see it. I’ve got a bit of a bug this weekend, and just can’t make the effort to photograph it. I also knitted a pretty swatch for a linen top in white (which I wrote about in my last post) but I am not going to show you that either. Or cast it on. Why? Because it is white, and my head is shouting “Do something colourful!” at me. This may be because I have lots of colourful inspiration. Here are some of the colourful things that are demanding head space; these include four garments and three whimsical knits.

Kainuu by Maija Vasala

© Laine Publishing / Maija Vasala

I saw this and nearly fell over. It just whisked me right out of the doldrums. I can’t look at this and not feel happy. I don’t plan to knit it (at least, not this year) but will be cheering on anyone who does.

Agatha by Mizuho Kumiyo

© Masahiro Shimazaki for amirisu

I took one look at this top, by Mizuho Kumiyo for Amirisu, and was all set to one-click. And then I noticed the fine print: “This pattern is sold exclusively as part of kits in our online shop.” Oh no; this is a serious bummer. I would even consider buying the kit, from the shop – in Japan – but in post-Brexit Britain this may be asking for trouble. Just look at the details of this top, however; I love it to pieces. Maybe it’s time for a trip to Japan. Speaking of which….

Tomoka by Tokuko Ochiai

© Masahiro Shimazaki for amirisu

This one also popped up in my feed this week, also from Amirisu, and, you guessed it, is only available as part of a kit from their on-line shop. (I imagine I am about to be inundated with cool kits from their shop.) I love this piece, particularly the cuffs on the sleeves. I would love to add these cuffs to a Chanel-style jacket. If anyone from the UK has any experience buying from Amirisu’s online shop, let me know.

Un-Deux-Trois Top
 by Faïza Mebazaa

© Faïza Mebazaa

I follow Faiza on Ravelry and have been admiring her knitting for years. She has recently started designing, and this is one of her new pieces. Actually, I am far more likely to knit – and wear – her gorgeous Ludivine than this one: but today I am focusing on colour and I really like what Faiza has done here with colour. It pushes my boundaries a bit, and I like that.

Pencil Scarf by Suzi Ashworth

© Suzi Ashworth

I was one of those kids who loved the beginning of school each year. Shopping for school supplies was a treat. Who doesn’t like the look of newly sharpened coloured pencils lined up in a row? This takes me back and makes me smile.

How to knit a bird by Arne & Carlos

© Arne & Carlos

Aren’t these pretty? I have included this one partly because I like the pattern name: “How to knit a bird”. Also, because I have a friend, June, who is crazy about birds and has (partially) infected me, so I notice all bird-related patterns. Just imagine what good stash busters these would be. And get a load of their feet; this cracks me up!

Striped Pup Sweater by Stephen West

I don’t have a dog, but if I did, I would think about knitting one of these. Or maybe two or three. These are really cute.

I hope these patterns get you thinking about colour. I cast on a new project this weekend using the brightest, most eye-popping yarn from my stash. Stay tuned for the details.

One more row

The University closes for 6 days at Easter every year, from the Thursday to the Tuesday. Work has been super busy and this comes at a good time. No email for 6 days!

We don’t have any plans for this period, the sun has been shining, and we have not been stuck on a bus trying to get to France. I’d say it is a perfect time to get some extra knitting done, perhaps with some sun and chocolate thrown in.

As if to acknowledge this fact, I got new yarn in the post. Lovely, shiny, white linen yarn to make one smile and think of spring patterns.

The yarn, Kalinka 21, is a 55% linen 45% wool blend from Karin Oberg, which I purchased from Ginger Twist Studio. I used this yarn previously to make my Treit top, and have wanted to knit with it again ever since. As soon as I saw the Joni top by Nastasja Hornby, I ordered the yarn.

© Natasja Hornby

I think it will be really pretty. I am still in my “knit only easy things” phase (my unofficial Covid-recovery plan) and I am hoping that my brain and fingers will find this pattern easy.

In the meantime, I have been powering through my newest shawl. I cast it on a month ago to knit on the plane on my trip to Johannesburg. It is going super fast.

I think this has to do with the nature of stripes. You always want to see what the next stripe will look like and that keeps you motivated to knit “one more row”. Before you know it, it is time to add in another colour.

I am really loving this very relaxing knit. The Garthenor Preseli yarn is soft and feels great on the hands. In fact, I can easily imagine making another of these, maybe in shades of blue. Or green. Or maybe some greys and yellows.

That’s it from me today. Doug is in the kitchen preparing a Sunday roast, we have friends coming by to join us, and the rain is still holding off. I’m going to sit in the garden and knit “one more row”.

De-cluttering the impossibly slow way. Step one: books!

Anyone who knows me will know that clutter and I go way back. I am not one of those people who jumped on the Marie Kondo bandwagon, or who Instagrams photos of my pantry and storage systems. Minimalism and I are not friends. But last June, when Doug and I got Covid and were very sick, I had a scare and, among all of the other scary thoughts I was thinking, was this one: “What if something happens to Doug and I? How will the girls cope with all of this stuff?”

I concocted a de-cluttering plan. The plan was simple. I would focus on one source of clutter at a time, and I would work on it at a pace which I could manage. I decided that the first step to de-cluttering the house was to sort through the books. Leah and Emma came home last September, while we were still quite sick, and stayed for a month. I announced my plan: the four of us would go through every book in the house. We would hold up each book individually and decide if it was a keeper or if we could gently let it go. Any book that any one of us wanted would stay, all of the other books would go. My friends (mostly drowning in books like we are) scoffed at this and said it couldn’t be done. “There is no way that will work,” they said. “At least one of you will vote to keep every book.” They tried to encourage me to retain veto power. But, I was determined on this very equitable and fair process as a first step in my grand de-cluttering plan.

I can report that the plan did work to some degree, although it must be said that it worked very slowly. It took us a month with the girls to go through all of the bookcases, shelf by shelf. Sick people can only tolerate so much book culling, not to mention dust. By the time the girls left, we had sorted all of the shelves and piled up all of the books to get rid of in boxes. It then took Doug and I another 4 months to get rid of the books. It turns out that no one wants to take books! After much searching, we discovered that the British Heart Foundation charity shop near us would take a box of books, but only one or two at a time. Every time we went into town, we dropped off another box of books. This was painstakingly slow, but also about the only speed we had energy for.

We gave away 15 boxes, totaling around 600 books. I did a count, and we have 1400 books remaining. (These of course don’t include any of the books in our offices on campus.) This means that we were able to get rid of 1/3 of our books! And it only took 5 months! I am super happy about this. I will note that I have not yet begun to start Step 2 of my grand de-cluttering plan. I think, at this rate, it will be years before I get to “Step 6: Yarn!” (Note how clever I am to make yarn step 6.)

Now (at long last, you say!) for some knitting content: How do you justify buying more knitting books when you have just ruthlessly culled 600 books from your shelves? I am afraid I don’t have an answer for this. Years ago, I switched to buying most books in e-formats (I have well over a thousand books in that format – imagine if they were on my shelves!) and most knitting patterns as downloaded files. But knitting books are pretty hard to resist, and don’t work well in e-formats. Also, have you noticed that after many years of selling patterns individually on-line, the big knitting book is back in vogue? Currently, I am coveting any number of knitting books and am trying valiantly to resist. Here are the ones at the top of my list right now:

Traditions revisited: Modern Estonian Knits by Aleks Byrd

Neons & Neutrals – A Knitwear Collection Curated by Aimée Gille of La Bien Aimée

The Joy of Colour by Janine Bajus

The Knitted Fabric: Colourwok Projects for you and your Home by Dee Hardwick

Twisted Stitch Sourcebook by Norah Gaughan

How about you: do you keep buying knitting books?

Knitters’ Law: When you travel, you can cast on something new

I have been struggling to find time to post the past few weeks. I usually try to write a post every weekend. This past weekend, I was busy teaching. The weekend before, I was in South Africa, also teaching. Lots of teaching, combined with big travel commitments, makes for a tired Kelly.

Here is a very unusual shot of me knitting (unusual because I was at work; thanks to my colleague, Chris, for the photo):

I don’t usually knit at work but in the workshop this weekend there was a section involving art and craft, and while the students were busy crafting, I decided to join in. I am working on the (endless) Koko shawl. Someday I may actually finish the thing.

When packing for South Africa, it was clear that the Koko shawl had to stay home. It is just too big and bulky to carry around and to fuss with on a plane. Obviously, I needed to cast on a new project. (This is my story and I am sticking with it. Besides, it’s a law.) I have a few mitten projects ready to start, with the yarn wound and ready, but I decided that mittens were too fiddly. I knew that the trip would be tiring and I needed a stress-free project. I had a moment of inspiration. I have some lovely skeins of Garthenor Preseli wool in shades of red, pink and orange, which Doug gave me for Christmas:

I suddenly remembered a shawl which I had saved into my favorites many years ago, Stole by Theresa Gaffey. It is knitted lengthwise and consists merely of long stripes of wide rib, which are knitted at a loose gauge.

© Gale Zucker

It seemed like perfect travel knitting. I was mostly busy teaching while in South Africa, but I did have a free Saturday, which I spent exploring and knitting. Here I am in front of the Union Buildings (Parliament) in Pretoria:

And this is where I got some knitting done:

I almost feel guilty sharing these photos because it was snowing here at home at the time. Then again, I needed that sunshine so much!

Knitting stripes is addictive. You keep wanting to get to the next stripe, so it speeds you along. This shawl is going much faster than Koko.

I hope you’ve had a bit of sunshine and a lot of knitting these past few weeks!

A little sparkle

A few weeks ago, I noticed that I kept borrowing Doug’s mittens (these ones) and decided I needed to knit a pair of mittens for myself. Just as I was having that thought, serendipity struck and I received a newsletter from Loop London about a kit for a pretty pair of sparkly mittens. Clearly the universe was speaking to me; I hit the buy button and shortly received a lovely little kit:

The pattern is by Fabienne Gassmann with Loop and is available through the shop. The kit comes in three colours – rose, mustard, and black – and can be found here. (I said to Doug “What do you think of these mittens? I like the rose.” Doug replied, “Those are nice. I like the mustard.” I can’t explain why I then chose the black, but I am glad that I did.) The nice thing about mittens is that they take little time to knit, and then you have warm hands.

Although I am happy with the black, it was very difficult to photograph. In nearly every shot they either looked grey, or there was no sparkle. We tried many times to capture them properly. This is my excuse for the look on my face in the above photo. I was standing there, in the cold, for some time.

Despite the photo to the contrary, the mittens make me smile. They are warm and sparkly and soft.

I am heading to South Africa tomorrow, where my mittens will not be needed. Have a lovely week, everyone, and a little bit of sparkle.