Pop!

Today is a holiday here, and the sun is shining.  In my experience these two events don’t occur at the same time as often as they should.  I am about to venture out for a walk in the woods.  Before I do, however, a very quick post to show you a pop of colour from my newest project:

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This is the Koko shawl, designed by Olga Buraya-Kefelian.  The pattern photo has it knitted up in pastels, but as soon as I saw this luscious green at the Unravel festival, I imagined it in this shawl. The yarn is Northiam by Kettle Yarn Co, a fingering weight 100% wool in Samphire (green), Canvas (cream), and Blackthorn (a very dark navy). The yarn is lovely and feels great.

The fabric naturally curls quite a bit, a you can see from the above photo, and it is also pulled in – it will all relax out in the final blocking, although I will try to keep as much of the 3-D structure as I can.  Here I am stretching it out a bit side-to-side so you can have a glimpse of what the pattern will actually look like post-blocking:

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And here I am stretching it out end-to-end so that you can see how much I’ve knitted up so far – about 15″/38cm:

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I’m off for that walk!

Sunny Saturday swatching

I admit that I have not been doing much knitting the last two weeks, despite being in lockdown.  I’ve been working from home, which seems to take more time not less, and when I’m not working, I have spent a fair bit of time alternating between long chats with the girls (yay!) and stressing about the news (boo!).

However, on Friday I received some beautiful new yarn in the post:

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Yesterday was a glorious, sunny Saturday and I sat at my kitchen table with the doors and windows open, listening to the birds sing, and working on a swatch. My plan is to knit Koko, a large wrap by Olga Buraya-Kefelian:

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© Olga Buraya-Kefelian

It takes a bit of time to get used to the pattern, but once you’ve figured it out it is easy peasy and flows off the needles.  That is not to say it is fast as (with my gauge, more below) I am knitting 62 rows per 4″/10cm.  That’s going to be an awful lot of rows.  Here is my swatch just off the needles:

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It bunches and curls in on itself, but here it is (still unblocked) with me sort of smoothing it out a bit and holding the edges down.

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You can see that the resulting fabric is very three dimensional.  (On this point, I must interject to say that Olga is a genius!  Truly!  No one does three dimensional patterns like she does.  I took a class with her once which was so much fun; I blogged about it here.  If you get a chance, do take one of her classes.)  I was worried that a lot of the three-dimensionality of the fabric would be lost during blocking, and so I gave it a very light block – soaking it thoroughly but then not stretching it out to pin, but rather pinning it gently to shape.  Here you can see the blocked fabric:

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I tried to take a photo of the blocked swatch which would show the rich, sculptured hills and valleys of the fabric – this is the best I could do this morning:

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Isn’t it wonderful? I am in love! The navy is a fantastic, dark, rich navy that looks blue in some lights and almost-black in others.  It is the perfect background, along with the cream, for this brilliant pop of green!  I am loving this colour combination so much.

The pattern calls for sportweight yarn, and this is fingering weight, so the gauge is way off.  The pattern gauge is 24×54, and this swatch, washed and blocked, is measuring 32×62.  But I love the resulting fabric and I am willing to put up with LOTS more knitting to turn this out.  (Ha! I say this now…..)  I also have 800 metres of each colour, so plenty to make a large size wrap even with a significantly smaller gauge.

And for those inquiring minds out there who want to know what the reverse side looks like (I always want to know this!), here is a photo for you.

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Best wishes to everyone!  Stay well and keep knitting!

3D Knitting with Olga Buraya-Kefelian

Today, I had the pleasure of attending a class on 3D knitting with Olga Buraya-Kefelian. It was a real treat for me – a day of creative indulgence in London.  It was a small class – the best kind – at Loop, a lovely yarn shop in Islington.  I have long been an admirer of Olga’s designs – they are very architectural and striking, and show a real love of high fashion and of knitting technique.

Below is a photo of Olga, holding the Boko-Boko cowl.  It is knit with a strand of wool held together with a strand of silk-wrapped steel.  It gets its 3D structure from the way it is knitted, with the fabric manipulated by knits and purls and lace techniques, but the steel gives it just a touch of “oomph” which lends some integrity to the stitch pattern.

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It is hard to describe the fabric, which is both incredibly stretchy, bouncy and resilient, and also formed into these fantastic dimensional shapes.  Olga said it reminded her of mountains and craters.  Of course, one must try it on:

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The Moko Moko cowl uses a different “juxtaposition of positive and negative spaces” – to use Olga’s words.  She had two examples with her, knit in different weights.  My favorite was this bright red example in fingering weight wool.  You can see both sides of the fabric here, and both are fascinating.

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One cannot have a knitting class without doing some knitting, so I spent some time working on a swatch using the stitch pattern from the Moko Moko cowl.  Here it is while I am on the first row of curls:

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And here it is while I was on the second set of curls, headed back in the opposite direction:

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Olga has other patterns in which she has managed to knit fabric which naturally pleats. She says it is based on her love of Issey Miyake’s work (which is both glorious and out of the price range of us mere mortals).  Below is a cowl (Miura cowl) worked just in knits and purls which makes a very elegant pleated fabric.  The architecture of the fabric is such that I was able to arrange it as a sculpture on the table for this photo for artistic effect, but rest assured it looks just as fabulous around one’s neck.

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Here is a swatch of another 3D stitch pattern from the many that Olga showed us:

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There were some new stitch patterns, as well, that Olga has been experimenting with and which I promised not to show you as the patterns are not yet released.  One of them was so amazing it nearly caused palpitations among the group, who will clearly wait with bated breath to see what Olga does with it.

When I went into the class, I knew that I was going to make a Boko Boko cowl, but now I want to make all of the cowls. I want to make everything! I can’t tell you how much fun the Moko Moko sample was to knit, and how intuitive and easy it is once you’ve started. (You will not be surprised to learn that I bought yarn after the class.  I will wait for another post to show you my treasures.)

I enjoyed the class so much.  There were eight students.  Here is a photo of us (this was the only place we could fit and the lighting was not the best for a photo):

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Left to right: Erin, Maggie, Xen, May, Kelly, Briony, Fiona, and Linda.

Thank you, ladies! I had such a good time knitting with you! (I always meet the best people at Loop.) Two of the women in the class were wearing hand-knitted garments designed by Olga.  I was lucky to cajole them into a photo for you.

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On the left is Fiona, wearing a fantastic flowy Sakasama, knit in silk.  This garment can be worn in two ways (its hard to describe but the other way is upside down so that the collar becomes the hem).  You can’t really tell from the photo just how fantastic the drape of this garment is, or the shine of the silk, but the fact that Fiona has knit four of them (yes, four!) should give you some idea.  On the right is May, wearing her Apex in a brilliant red.  I believe May said that this was only the second sweater she had ever knit! This is pretty astonishing.  I forgot to ask May the details of the yarn she used, but she has just started blogging and you can find her Apex post here.

I wrote on the blog once of a bad experience with a knitting class, in which a designer who I had admired greatly really disappointed me.  This was certainly not the case with Olga.  She is charming and sweet, passionate about her craft, unassuming, a good teacher, and inspiring.  She patiently answered many questions, and talked to us about her creative process and about her many designing influences and experiences. She said to us: “I want to challenge you and make you so brave!” I left the class feeling challenged and inspired. (And a little bit brave as well.)

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Bazinga times two!

bazinga – 1. A catchy phrase to accompany your clever pranks. As popularized by Sheldon Cooper (The Big Bang Theory).  2. A short post highlighting something that Emma and Kelly think is freaking fabulous.

It’s been a long time since I’ve written a Bazinga post.  Today, I saw this absolutely gorgeous cardigan design and knew it was time to resurrect the bazinga!  I sent a link to Emma, who was in agreement, so here you are:

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© Alexis Winslow

This is the Tiber cardigan, created by designer Alexis Winslow.  I swear its as if Alexis can read my mind.  I have already knit her beautiful Escher, blogged here, and her very chic Zelda cloche, which I blogged about here.  But with this cardigan it’s like she used a mind sweep on me to find exactly what kind of cardigan I would like.  And then she made it even better:

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© Alexis Winslow

Just as I was about to hit the “publish” button on this post, Brooklyn Tweed released its first Capsule Collection, featuring eight new designs in Brooklyn Tweed yarns by the amazingly talented Olga Buraya-Kefelian.  I adore each and every one of them, but this one took my breath away:

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© Brooklyn Tweed

This is Cusp, a spectacular piece, which is enough to make me change my mind about ponchos.  Like the Tiber cardigan, it should be viewed from all angles:

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So, there you have it folks: a double Bazinga!