“Holy Fair Isle Batsuit, Batman!”

I’ve been knitting the button bands on Doug’s vest. I put the project down and noticed that it looked like this:

Because I haven’t yet cut the steeks which will create the armholes, and because the 450ish stitches of the button bands and neck are all squeezed onto a circular knitting needle, it rather resembles a toddler-sized fair isle batman cowl and cape, complete with ears.

Granted, there are no razor-sharp blades on the edges of the cape, which as we all know are useful when dealing with corrupt officials. And while Shetland wool has considerable shape memory, this cape is unlikely to have enough rigidity to allow one to glide over the buildings of Gotham. Furthermore, there is no antenna in the left ear capable of scanning police radio frequencies. Sadly, the cowl is not shielded to protect against mind control.

However, it is hand-knitted using the Fair Isle technique, and is thus both more stylish, and considerably more woke, than all that boring black vinyl. Perhaps just a bit of Kevlar….

Getting the hang of it

A few weeks back, I posted about my Bousta Beanie, a fair isle hat which I determined would be the beginning of my personal Project Fair Isle.  As I reported there, I had some difficulties, mostly because this Project is not just about knitting Fair Isle, but about learning to be comfortable with two-handed knitting (holding one strand in each hand).

I have now finished my second project, also a hat, and let me tell you, I am loving Fair Isle knitting!


I love the colours, I love the subtle and the not-so-subtle variations, I love the intricacy and also the simplicity of it (two hands, two sticks, two yarns, two colours to a row).  It feels creative and fun.  And, yes, my left hand is slowly starting to get the hang of it!

This is the Cascade Cap, designed by Janine Bajus of Feral Knitter.  I am officially in love with everything Janine designs and want to make them all.  Some of you may be familiar with her amazing Salmon Coming Home vest:

salmon coming home

© Janine Bajus

The Cascade Caps pattern has two colourwarys: one is knit in neutrals and the other (the one I’ve knit) is called the Winter colourway and the colours were “inspired by a drive across the Cascade Mountains one cold December”.  I’ve made it in the colours the pattern calls for using Jamieson’s of Shetland Spindrift.  I love the way this yarn takes to colourwork:


I love how portable hats are when one is knitting with penguins:


This pattern has the most fantastic crown; I think it is glorious:


I knit this hat for Doug, and am happy to report that he seems to like it:


The hat is knit in fingering weight yarn and is very light, but also warm and quite water-resistant. This is good because Doug is in the UK where it is cold and dark and rainy, while I am back in South Africa again (this time in Jo’burg) enjoying the sunshine. (Not that I would ever gloat about it!)

Yes, I am definitely getting the hang of it!  I’ve already bought the yarn for the next installment in Project Fair Isle!

Toil and trouble

Do you know those knitting bloggers who make you terribly envious?  The ones who can whip out a complicated project at the drop of a hat, and every picture looks perfect, and every project appears to emerge from the needles without toil or trouble?  If you are looking for a post like that, please dear reader, look away!  Warning! Toil and trouble ahead!

And for which project did this struggle occur?  Something fabulous and intricate?  Something never before attempted?  Truth be told – it’s a hat.  A very lovely hat, indeed.  But it’s a hat that – as of today – has 1994 projects on Ravelry.  (I don’t know how many that means there are in the wild, but if we assume that half of them make it on to Ravelry, and awful lot of people have made this hat.)  It is the Bousta Beanie, designed by Gudrun Johnston, originally for the Shetland Wool Week 2017, but now available as well on Ravelry.  Here is mine:


But, you may say: “Hey, it turned out OK.!” Yes, it did.  The toil and trouble is not reflected in the output (thankfully!).  I picked this project to try to learn the skill of two-handed fair isle knitting.  I have actually done a few colourwork projects before, and have attempted to do two-handed knitting (one yarn held in the left hand and knitted continental style and one yarn held in the right hand and knitted English style) before.  I have always cheated quite a bit however, and have usually resorted to a not-very-efficient style of holding a yarn in the right hand, knitting with it, and dropping it and picking up the other yarn in the right hand and knitting with it.  This is slow and often leads to my tangling the yarns and getting the yarn dominance mixed up.

Before going any further, let me say that I do not approve of knitting police!  The right way to knit is the way which works for you.  Period!  However, I have wished for a very long time to be able to add this skill to my knitting repertoire, and I have decided that this is the year!  (Of course, it is now approaching the end of the year, but I am not being literal here.)  I wanted to start by knitting a fair isle vest for Doug, and even joined a Vest KAL on Ravelry to help motivate me.  I soon realised, however, that I needed to start with a much more basic project; thus, the Bousta Beanie.  The Bousta is often described as a perfect first Fair Isle project.  It has a four stitch repeat.  It is easy to memorise.  It is pleasing to the eye and lovely to wear.  The emerging pattern is far more intricate and flowing than the simple pattern would suggest.

I had a bunch of 4-ply yarn in my stash from The Little Grey Sheep – mini skeins in a number of colours, and I picked three which I thought would be pretty together.  (I used 2 mini-skeins for the purple, and one for each of the contrasting colours.)  I cast on and started to knit.  After I had finished the ribbing and had very laboriously added a few rows of pattern, I decided the hat would be too small.  I ripped it off the needles, and then in a very fortuitous act decided to try it on over my head before frogging.  It fit!  I put it back on the needles and kept knitting.

If I were to list the important elements in knitting this, I would say that there are four:

  1.  The knitting itself – getting my head around the two-handed technique
  2.  The pattern – staying in pattern while you knit
  3.  The crown – managing the decreases while also knitting on DPNs
  4.  Managing the yarns – carrying up the unused colour and avoiding twisting

I managed to screw up every one of these!

1 – The knitting itself.  I find it close to impossible to knit with the yarn in my left hand.  Hundreds of thousands (millions?) of Continental knitters have the hang of this but I really struggle with it.  And I am left-handed!  It is hard to describe why I find it so difficult.  The first issue I have is with tensioning the yarn.  The way I normally knit, where I hold the yarn in my right hand and literally carry it around the needle, doesn’t involve any tensioning at all.  I have never had to wind the yarn around fingers and control the speed at which it slips through.   I looked at dozens of videos of how to do this.  I tried many different ways of tensioning the yarn.  I ended up having the yarn wrapped twice around my left index finger, something which I am unhappy with but really seemed to be the only working solution.

The second problem is the actual mechanics of inserting the right needle into the knit stitch and then looping it around this yarn which is mysteriously held wrapped around the left index finger.  I was so incredibly slow, knitting stitch by stitch in total concentration.  I kept telling myself that Continental is the fast knitting style, but my brain and fingers were not cooperating and laughed at my attempts at self-motivation.  The third problem I had was in advancing the stitches towards the tip of the left needle. This seems easy and intuitive when I am knitting normally but not so here.  When you are holding the yarn in the left, desperately trying to keep the tension even, how do you advance the stitches with that hand at the same time?  Truly, knitting this way is hard.  Maybe my brain is too old to learn new tricks.  I am determined to persevere, however!

2 – Staying in pattern.  This should be easy; the Bousta Beanie has an incredibly simple, intuitive pattern that should be a snap to follow.  In fact, hundreds of knitters make exactly that comment on their project pages.  Nevertheless, after some very slow knitting, this is what happened:


On the top, you see one side of the hat, looking rather nice.  On the bottom, you see the other side of the hat, where I have totally messed up the pattern in the second orange section.  I debated trying some sort of tricky fix with a crochet hook to fix these stitches, but decided that I was having enough trouble with knitting fair isle to try anything fancy.  So, I ripped it out (down to where the pattern started going wonky). Note to self: ripping out fair isle takes longer than normal ripping.

I then started knitting again, reminding myself that the hat was meant to be practice for two-handed knitting and the act of frogging and re-knitting meant more practice.  How convenient to have to knit it twice!  After a while, I caught up and then did the same mistake again, this time on the third orange pattern sequence:


At least I caught the mistake much sooner.  It may be hard to see but in the orange bit on the top I have made exactly the same pattern error that I made the first time.  Once again, I ripped (just a row or two this time).  This leads me to ponder: if I can’t manage to keep an easy pattern like this straight, how will I manage an intricate pattern?

3 – The crown.  The pattern calls for 3.5 repeats before starting the crown decreases.  I realised that this would make the hat longer than I preferred.  I tend more towards the beanie hat style than the slouchy ones.  So, I determined to take out one half of a pattern repeat and start the crown decreases early.  The problem with this is that the pattern is moving in the opposite direction at that point so the crown shapings have to be reversed.  Many knitters seem to have taken this approach.  Jen, of JenACKnitwear, comments on her Bousta Beanie project page: “I took out half a pattern repeat and then worked the crown shaping chart backwards.”  Well, that sounds easy; it’s only 10 rows of shaping on a short repeat pattern.  I spent part of two evenings trying to figure it out.

Before you really shake your heads at this, I will point out that I have been especailly stressed at work lately.  This stress seems to have bled out into my knitting.  I have also this week given up caffeine, and that is having an effect on my brain, not to mention my mood, my sleep patterns, and my hand-eye coordination.  Those are my excuses and I will stick with them.  Being an idiot didn’t factor into this; not at all!

Finally, in an act of desperation, I went onto Ravelry, in a forum on Jen’s group, and asked for some help.  Jen replied in minutes (yes, in minutes; how great is that!) with an intriguing suggestion:  “…you need to mirror image the chart.  Could you hold it up to a mirror and take a photo of it?”  Genius!  After a slight problem (who knew that my phone would automatically adjust the image so that it would not be mirrored?), I was able to get a photo of the mirrored crown shaping pattern and start knitting.  I still had trouble with the leaning decreases – I couldn’t figure out how to make left-leaning decreases while knitting fair isle, so settled on k2tog which put the colours in the right places but ended up leaning the wrong way.  I don’t think anyone will notice.

The last problem with the crown was trying to knit with my very bad two-handed techniques while using DPNs; this took a bit of juggling to get used to.


4 – Managing the yarns.  Here you see the inside of the hat:


The top photo shows how nicely the inside looks – it is all very neat and orderly.  The bottom photo shows the terrible job I made of carrying the extra thread up the inside.  For a while there, near the beginning, I managed to get it right and the yarn is carried up almost invisibly, but then I somehow screwed it all up.  I know you can’t see it and it doesn’t affect the finished project, but it offends my sense of beauty.  I want the inside to look great, too.  Even more, I want to know how to twist the yarn while carrying it up so that it feels organic; it never felt right.

I also wonder, looking at the finished photos, whether I should have reversed the dominance and made the purple the dominant colour.  One of the things I like about the pattern is the way the main colour forms ripples up and down the hat.  I could see these while I was knitting, but in the washed and blocked hat they don’t stand out.  I’m not sure how that happened but I suspect that dominance might be the answer.

Given all of the troubles I had knitting this, I think it is a pretty cool hat and I am pleased with the final product.  The pattern is really lovely and the yarn is soft, light, but very warm.


This hat is the first installment in Project Fair Isle!  I plan to work my way up to some fancy stitchwork.   Stay tuned for more adventures in fair isle knitting.

But first, back to some of my WIPs…..